Actor
Clive OwenFollow
15 films•2001–2019•Drama · Action · Thriller
Avg critics58%
Avg audience66%
Avg domestic$46.1M
Domestic
$692.2M
Lifetime
Worldwide
$1.79B
Lifetime
Avg opening
$13.8M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Bourne Identity | 2002 | $27.1M | $121.5M | 4.48x | $214.4M | A- | 84% | #20 |
 Inside Man | 2006 | $29.0M | $88.5M | 3.06x | $186.0M | B+ | 86% | #22 |
 Sin City | 2005 | $29.1M | $74.1M | 2.50x | $159.0M | B | 76% | #33 |
 King Arthur | 2004 | $15.2M | $51.9M | 3.41x | $204.0M | B | 30% | — |
 Gemini Man | 2019 | $20.6M | $48.5M | 2.40x | $166.6M | B+ | 26% | — |
 Gosford Park | 2001 | $3.7M | $41.3M | 11.2x | $87.8M | — | 87% | — |
 Duplicity | 2009 | $14.0M | $40.6M | 2.90x | $81.1M | — | 65% | — |
 Valerian and the City of a Thousand Planets | 2017 | $17.0M | $40.5M | 2.40x | $215.1M | — | 47% | — |
 Derailed | 2005 | $12.2M | $36.0M | 2.90x | $57.5M | — | 20% | — |
 Children of Men | 2006 | $501K | $35.6M | 3.50x | $69.8M | — | 92% | — |
 Closer | 2004 | $7.7M | $34.0M | 4.40x | $116.0M | — | 67% | — |
 The International | 2009 | $9.3M | $25.5M | 2.70x | $61.6M | — | 57% | — |
 Killer Elite | 2011 | $9.4M | $25.1M | 2.70x | $65.4M | — | 26% | — |
 Elizabeth: The Golden Age | 2007 | $6.2M | $16.3M | 2.60x | $74.9M | — | 35% | — |
 Shoot 'Em Up | 2007 | $5.7M | $12.8M | 2.20x | $26.8M | — | 67% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.3 years
Profitability
Return on budget
1.8x
$1.79B worldwide on $1.00B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $692.2MInternational $1.09B
Return by film
Worldwide ÷ budget0x2.5x breakeven4.4x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.