Studio
Relativity MediaFollow
22 films•2011–2016•Drama · Thriller · Comedy
Avg critics35%
Avg audience48%
Avg domestic$35.4M
Domestic
$778.1M
Lifetime
Worldwide
$1.54B
Lifetime
Avg opening
$12.4M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Immortals | 2011 | $32.2M | $83.5M | 2.59x | $227.0M | B | 50% | #37 |
| Limitless | 2011 | $18.9M | $79.2M | 4.19x | $162.0M | B+ | 68% | #41 |
| Safe Haven | 2013 | $21.4M | $71.3M | 3.33x | $94.1M | B+ | 13% | #48 |
| Act of Valor | 2012 | $24.5M | $70.0M | 2.86x | $82.5M | A | 28% | #41 |
 Mirror Mirror | 2012 | $18.1M | $64.9M | 3.58x | $183.0M | — | 50% | #48 |
 Free Birds | 2013 | $15.8M | $55.8M | 3.50x | $110.4M | — | 20% | — |
 The Family | 2013 | $14.0M | $36.9M | 2.60x | $80.6M | — | 28% | — |
 House at the End of the Street | 2012 | $12.3M | $31.6M | 2.60x | $44.1M | — | 10% | — |
 3 Days to Kill | 2014 | $12.2M | $30.7M | 2.50x | $39.0M | — | 27% | — |
 Oculus | 2014 | $12.0M | $27.7M | 2.30x | $44.1M | — | 75% | — |
 The Best of Me | 2014 | $10.0M | $26.8M | 2.70x | $41.1M | — | 12% | — |
 21 & Over | 2013 | $8.8M | $25.7M | 2.90x | $42.2M | — | 26% | — |
 The November Man | 2014 | $7.9M | $25.0M | 3.20x | $34.8M | — | 36% | — |
 Season of the Witch | 2011 | $10.6M | $24.8M | 2.30x | $91.1M | — | 11% | — |
 Don Jon | 2013 | $8.7M | $24.5M | 2.80x | $41.3M | — | 80% | — |
 Brick Mansions | 2014 | $9.5M | $20.4M | 2.10x | $73.4M | — | 25% | — |
 Haywire | 2012 | $8.4M | $18.9M | 2.20x | $36.4M | — | 80% | — |
 Masterminds | 2016 | $6.5M | $17.4M | 2.70x | $30.9M | — | 34% | — |
 The Raven | 2012 | $7.3M | $16.0M | 2.20x | $30.6M | — | 21% | — |
 Out of the Furnace | 2013 | $5.2M | $11.3M | 2.20x | $15.4M | — | 53% | — |
 Movie 43 | 2013 | $4.8M | $8.8M | 1.80x | $31.2M | — | 5% | — |
 Take Me Home Tonight | 2011 | $3.5M | $6.9M | 2.00x | $7.6M | — | 27% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
2.6x
$1.54B worldwide on $604.4M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $778.1MInternational $764.7M
Return by film
Worldwide ÷ budget0x2.5x breakeven8.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Directors
Counted from this filmography. The number is how many of these films each one accounts for.