Actor
Demi MooreFollow
15 films•1985–2024•Drama · Romance · Comedy
Avg critics59%
Avg audience63%
Avg domestic$69.9M
Domestic
$1.05B
Lifetime
Worldwide
$2.11B
Lifetime
Avg opening
$12.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Ghost | 1990 | $12.2M | $218.0M | 17.9x | $506.0M | — | 74% | — |
 A Few Good Men | 1992 | $15.5M | $141.0M | 9.10x | $243.0M | — | 85% | — |
 Indecent Proposal | 1993 | $18.4M | $106.6M | 5.80x | $266.6M | — | 34% | — |
 Charlie's Angels: Full Throttle | 2003 | $37.6M | $101.0M | 2.68x | $259.0M | B+ | 41% | #30 |
 The Hunchback of Notre Dame | 1996 | $21.0M | $100.1M | 4.80x | $325.5M | — | 80% | — |
 Disclosure | 1994 | $10.1M | $83.0M | 8.20x | $212.2M | — | 58% | — |
 Beavis and Butt-Head Do America | 1996 | $20.1M | $63.1M | 3.10x | — | — | 70% | — |
 G.I. Jane | 1997 | $11.1M | $48.2M | 4.30x | — | A- | 55% | — |
 About Last Night... | 1986 | $3.2M | $38.7M | 12.3x | — | — | 65% | — |
 St. Elmo's Fire | 1985 | $6.1M | $37.8M | 6.20x | — | — | 44% | — |
 Striptease | 1996 | $12.3M | $33.1M | 2.70x | $113.3M | — | 11% | — |
 Mr. Brooks | 2007 | $10.0M | $28.5M | 2.80x | $46.0M | — | 56% | — |
 Now and Then | 1995 | $7.4M | $27.1M | 3.60x | $37.5M | — | 36% | — |
 The Substance | 2024 | $3.2M | $17.6M | 5.50x | $77.3M | — | 89% | — |
 Margin Call | 2011 | $562K | $5.4M | 7.40x | $20.4M | — | 87% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 2.8 years
Profitability
Return on budget
4.3x
$1.76B worldwide on $408.9M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $699.2MInternational $1.06B
Return by film
Worldwide ÷ budget0x2.5x breakeven12.0x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
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