Studio
Fox Searchlight PicturesFollow
74 films•1997–2019•Drama · Comedy · Romance
Avg critics80%
Avg audience77%
Avg domestic$27.7M
Domestic
$2.05B
Lifetime
Worldwide
$4.48B
Lifetime
Avg opening
$1.9M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Juno | 2007 | $414K | $143.0M | 13.5x | $232.0M | — | 93% | #15 |
| Slumdog Millionaire | 2008 | $360K | $141.0M | 32.9x | $378.0M | — | 92% | #16 |
| Black Swan | 2010 | $6.3M | $107.0M | 17.1x | $329.0M | — | 85% | #25 |
| The Descendants | 2011 | $1.2M | $82.6M | 11.2x | $177.0M | A- | 88% | #38 |
 Sideways | 2004 | $6.3M | $71.5M | 24.5x | $110.0M | B | 97% | #39 |
 Little Miss Sunshine | 2006 | $371K | $59.9M | 10.7x | $100.6M | — | 91% | — |
 The Grand Budapest Hotel | 2014 | $800K | $59.1M | 6.90x | $163.0M | — | 92% | — |
 12 Years a Slave | 2013 | $924K | $56.7M | 8.50x | $188.0M | A | 95% | — |
 Three Billboards Outside Ebbing, Missouri | 2017 | $322K | $54.5M | 12.4x | $161.2M | — | 90% | — |
 The Best Exotic Marigold Hotel | 2012 | $737K | $46.4M | 7.30x | $137.0M | — | 77% | — |
 The Full Monty | 1997 | $177K | $46.0M | — | $261.2M | — | 96% | — |
 28 Days Later | 2002 | $10.1M | $45.1M | 4.50x | $82.8M | — | 87% | — |
 Napoleon Dynamite | 2004 | $117K | $44.5M | 21.4x | $46.1M | — | 72% | — |
 Birdman or (The Unexpected Virtue of Ignorance) | 2014 | $424K | $42.3M | 17.1x | $102.5M | — | 91% | — |
 The Hills Have Eyes | 2006 | $15.7M | $41.8M | 2.70x | $70.4M | — | 51% | — |
 Crazy Heart | 2009 | $83K | $39.5M | 11.1x | $47.4M | — | 90% | — |
 Brooklyn | 2015 | $187K | $38.3M | 9.70x | $62.1M | — | 97% | — |
 Wild | 2014 | $607K | $37.9M | 9.20x | $52.5M | A- | 88% | — |
 The Secret Life of Bees | 2008 | $10.5M | $37.8M | 3.60x | $40.0M | — | 60% | — |
 Notorious | 2009 | $20.5M | $36.8M | 1.80x | $45.0M | — | 52% | — |
 The Ringer | 2005 | $5.2M | $35.4M | 6.90x | $40.4M | — | 40% | — |
 The Favourite | 2018 | $422K | $34.4M | 13.2x | $95.8M | — | 93% | — |
 Jojo Rabbit | 2019 | $350K | $33.4M | 8.50x | $86.9M | A | 81% | — |
 The Second Best Exotic Marigold Hotel | 2015 | $8.5M | $33.1M | 3.90x | $89.4M | — | 66% | — |
 Bend It Like Beckham | 2003 | $162K | $32.5M | 16.7x | $74.6M | — | 85% | — |
 (500) Days of Summer | 2009 | $835K | $32.4M | 8.70x | $34.5M | — | 86% | — |
 Isle of Dogs | 2018 | $1.6M | $32.0M | 5.80x | $58.7M | — | 90% | — |
 One Hour Photo | 2002 | $322K | $31.6M | 3.90x | $52.2M | — | 81% | — |
 Ready or Not | 2019 | $8.0M | $28.7M | 3.60x | $56.7M | — | 89% | — |
 Garden State | 2004 | $201K | $26.8M | 8.90x | $36.0M | — | 86% | — |
 Street Kings | 2008 | $12.5M | $26.4M | 2.10x | $65.5M | — | 37% | — |
 The Wrestler | 2008 | $203K | $26.2M | 7.00x | $46.6M | — | 99% | — |
 Gifted | 2017 | $446K | $24.8M | 8.00x | $37.0M | — | 73% | — |
 Thank You for Smoking | 2005 | $263K | $24.8M | 5.50x | $40.0M | — | 86% | — |
 The Way Way Back | 2013 | $553K | $21.5M | 6.20x | $26.9M | — | 83% | — |
 Antwone Fisher | 2002 | $210K | $21.1M | 5.60x | $23.4M | — | 78% | — |
 Waitress | 2007 | $92K | $19.1M | 6.20x | $22.2M | — | 89% | — |
 Super Troopers | 2002 | $6.2M | $18.5M | 3.00x | $23.2M | — | 37% | — |
 127 Hours | 2010 | $265K | $18.3M | 8.60x | $60.2M | — | 93% | — |
 Enough Said | 2013 | $233K | $17.6M | 8.00x | $25.6M | — | 95% | — |
 The Last King of Scotland | 2006 | $143K | $17.6M | — | $49.2M | — | 87% | — |
 Notes on a Scandal | 2006 | $414K | $17.5M | 6.70x | $50.6M | — | 87% | — |
 Jackie | 2016 | $279K | $14.0M | 9.00x | $36.6M | — | 87% | — |
 The Good Girl | 2002 | $152K | $14.0M | 4.80x | $16.6M | — | 82% | — |
 The Tree of Life | 2011 | $373K | $13.3M | — | $61.7M | — | 86% | — |
 Whip It | 2009 | $4.7M | $13.1M | 2.80x | $18.9M | — | 86% | — |
 Beasts of the Southern Wild | 2012 | $170K | $12.8M | — | $23.3M | — | 87% | — |
 I Heart Huckabees | 2004 | $292K | $12.8M | 4.40x | $20.0M | — | 63% | — |
 Battle of the Sexes | 2017 | $518K | $12.6M | 3.70x | $18.4M | — | 84% | — |
 Far from the Madding Crowd | 2015 | $165K | $12.2M | 5.30x | $29.7M | — | 84% | — |
 The Darjeeling Limited | 2007 | $135K | $11.9M | 6.80x | $35.1M | — | 69% | — |
 Boys Don't Cry | 1999 | $74K | $11.5M | — | $11.5M | — | 90% | — |
 The Old Man & the Gun | 2018 | $142K | $11.3M | 5.30x | $17.0M | — | 93% | — |
 The Drop | 2014 | $4.1M | $10.7M | 2.60x | $19.1M | — | 88% | — |
 Win Win | 2011 | $150K | $10.2M | 8.00x | $11.9M | — | 95% | — |
 Kinsey | 2004 | $169K | $10.2M | 7.90x | $17.4M | — | 90% | — |
 Can You Ever Forgive Me? | 2018 | $162K | $8.8M | 6.10x | $12.5M | — | 98% | — |
 The Ice Storm | 1997 | $75K | $8.0M | 10.2x | $16.0M | — | 86% | — |
 Quills | 2000 | $249K | $7.1M | 28.3x | $11.7M | — | 75% | — |
 Sexy Beast | 2001 | $170K | $6.9M | 40.8x | $10.2M | — | 87% | — |
 Me and Earl and the Dying Girl | 2015 | $196K | $6.8M | 5.50x | $9.3M | — | 81% | — |
 Hitchcock | 2012 | $288K | $6.0M | 5.40x | $24.7M | — | 59% | — |
 Thirteen | 2003 | $116K | $4.6M | 39.6x | $9.5M | — | 81% | — |
 Shame | 2011 | $350K | $4.0M | 11.5x | $20.4M | — | 79% | — |
 My Name Is Khan | 2010 | $1.9M | $4.0M | 2.10x | $42.4M | — | 87% | — |
 Sunshine | 2007 | $243K | $3.7M | 2.90x | $32.0M | — | 77% | — |
 Ruby Sparks | 2012 | $141K | $2.5M | 5.70x | $8.8M | — | 79% | — |
 The Dreamers | 2004 | $143K | $2.5M | 6.10x | $15.3M | — | 59% | — |
 Never Let Me Go | 2010 | $112K | $2.4M | 7.00x | $11.2M | — | 71% | — |
 Trance | 2013 | $131K | $2.3M | 2.60x | $22.6M | — | 69% | — |
 Demolition | 2015 | $1.1M | $2.0M | 1.80x | $4.3M | — | 53% | — |
 Stoker | 2013 | $161K | $1.7M | 4.80x | $12.0M | — | 70% | — |
 Another Earth | 2011 | $78K | $1.3M | 7.70x | $2.1M | — | 66% | — |
 I Origins | 2014 | $28K | $336K | 4.40x | $0.9M | — | 51% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
5.4x
$4.30B worldwide on $789.4M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.96BInternational $2.34B
Return by film
Worldwide ÷ budget0x2.5x breakeven115.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.