




Studio
Sony Pictures ClassicsFollow
49 films•1992–2026•Drama · Romance · Comedy
Avg critics86%
Avg audience82%
Avg domestic$12.3M
Domestic
$604.0M
Lifetime
Worldwide
$2.07B
Lifetime
Avg opening
$304K
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Crouching Tiger, Hidden Dragon | 2000 | $663K | $128.0M | 14.8x | $214.0M | — | 96% | #12 |
Midnight in Paris | 2011 | $599K | $56.8M | 9.70x | $151.0M | — | 93% | — |
Blue Jasmine | 2013 | $612K | $33.4M | 8.40x | $102.9M | — | 90% | — |
Capote | 2005 | $325K | $28.8M | 12.6x | $49.9M | — | 89% | — |
Howards End | 1992 | $53K | $26.1M | — | $26.4M | — | 94% | — |
Still Alice | 2014 | $212K | $18.7M | 8.60x | $41.6M | — | 85% | — |
Call Me by Your Name | 2017 | $413K | $18.1M | — | $44.9M | — | 95% | — |
Kung Fu Hustle | 2005 | $269K | $17.1M | 2.50x | $102.0M | — | 90% | — |
To Rome with Love | 2012 | $361K | $16.7M | 5.40x | $74.3M | — | 47% | — |
Nuremberg | 2025 | $3.9M | $14.5M | 3.70x | $71.1M | — | 72% | — |
Whiplash | 2014 | $135K | $13.9M | — | $39.8M | — | 94% | — |
Volver | 2006 | $198K | $12.9M | 11.3x | $87.2M | — | 91% | — |
Rachel Getting Married | 2008 | $293K | $12.8M | 8.50x | $17.5M | — | 85% | — |
An Education | 2009 | $159K | $12.6M | 13.8x | $29.7M | — | 94% | — |
Foxcatcher | 2014 | $271K | $12.1M | 44.7x | $19.3M | — | 88% | — |
The Lives of Others | 2006 | $214K | $11.3M | 13.3x | $81.2M | — | 92% | — |
House of Flying Daggers | 2004 | $397K | $11.1M | 6.40x | $92.9M | — | 87% | — |
Magic in the Moonlight | 2014 | $412K | $10.5M | 5.90x | $33.5M | — | 53% | — |
Talk to Her | 2002 | $104K | $9.3M | — | $50.8M | — | 91% | — |
Pollock | 2000 | $44K | $8.6M | — | $10.6M | — | 79% | — |
All About My Mother | 1999 | $50K | $8.3M | 164.1x | $67.9M | — | 98% | — |
Before Midnight | 2013 | $247K | $8.1M | 5.90x | $23.2M | — | 98% | — |
Run Lola Run | 1998 | $124K | $8.1M | — | $23.7M | — | 93% | — |
The Imaginarium of Doctor Parnassus | 2009 | $334K | $7.7M | 4.40x | $64.4M | — | 63% | — |
A Separation | 2011 | $59K | $7.1M | 7.50x | $24.4M | — | 99% | — |
Incendies | 2010 | $62K | $6.9M | — | $16.0M | — | 91% | — |
Amour | 2012 | $68K | $6.7M | — | $36.8M | — | 93% | — |
The Secret in Their Eyes | 2009 | $168K | $6.4M | 14.0x | $40.5M | — | 89% | — |
I'm Still Here | 2024 | $1.0M | $6.2M | 6.20x | $35.5M | — | 97% | — |
Central Station | 1998 | $36K | $6.0M | 167.2x | $17.0M | — | 94% | — |
A Dangerous Method | 2011 | $168K | $5.7M | 34.0x | $14.8M | — | 78% | — |
The Guard | 2011 | $77K | $5.4M | 12.9x | $21.2M | — | 94% | — |
Whatever Works | 2009 | $266K | $5.3M | 5.50x | $35.1M | — | 50% | — |
Moon | 2009 | $136K | $5.0M | — | $10.7M | — | 90% | — |
Persepolis | 2007 | $89K | $4.4M | 50.0x | $25.4M | — | 96% | — |
The Raid: Redemption | 2011 | $214K | $4.1M | 4.30x | $9.3M | — | 87% | — |
Good Bye Lenin! | 2004 | $58K | $4.1M | 13.6x | $79.4M | — | 91% | — |
The Skin I Live In | 2011 | $223K | $3.2M | 9.70x | $38.2M | — | 81% | — |
Wild Tales | 2014 | $85K | $3.1M | 10.5x | $27.0M | — | 94% | — |
Synecdoche, New York | 2008 | $172K | $3.1M | 9.30x | $4.4M | — | 69% | — |
Carnage | 2011 | $80K | $2.5M | 3.60x | $38.1M | — | 71% | — |
Layer Cake | 2004 | $82K | $2.3M | 6.80x | $11.7M | — | 81% | — |
The Father | 2020 | $434K | $2.1M | 4.90x | $36.4M | — | 98% | — |
A Prophet | 2009 | $164K | $2.1M | 9.30x | $19.9M | — | 96% | — |
Only Lovers Left Alive | 2013 | $88K | $1.9M | 9.50x | $3.1M | — | 86% | — |
Take Shelter | 2011 | $52K | $1.7M | 9.10x | $5.0M | — | 92% | — |
Gail Daughtry and the Celebrity Sex Pass | 2026 | — | $1.4M | — | $1.4M | — | 76% | #116 |
I Swear | 2026 | $666K | $924K | 1.40x | — | — | 97% | — |
Paprika | 2006 | $36K | $881K | 10.5x | $0.9M | — | 87% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
4.2x
$1.85B worldwide on $438.8M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $561.5MInternational $1.29B
Return by film
Worldwide ÷ budget0x2.5x breakeven40.6x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.












































