Studio
Summit EntertainmentFollow
26 films•2008–2016•Action · Drama · Thriller
Avg critics53%
Avg audience62%
Avg domestic$70.7M
Domestic
$1.84B
Lifetime
Worldwide
$4.30B
Lifetime
Avg opening
$25.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| The Twilight Saga: Eclipse | 2010 | $64.8M | $300.8M | 4.64x | $705.1M | — | 46% | #4 |
| The Twilight Saga: New Moon | 2009 | $143.0M | $297.2M | 2.08x | $688.1M | — | 28% | #4 |
| The Twilight Saga: Breaking Dawn - Part 1 | 2011 | $138.0M | $281.8M | 2.04x | $682.4M | B+ | 26% | #3 |
| Twilight | 2008 | $69.6M | $194.3M | 2.79x | $403.7M | A- | 48% | #7 |
 RED | 2010 | $21.8M | $90.4M | 4.15x | $199.0M | A- | 72% | #38 |
 Knowing | 2009 | $24.6M | $80.0M | 3.25x | $186.0M | — | 35% | #39 |
 The Divergent Series: Allegiant | 2016 | $29.3M | $66.2M | 2.26x | $172.0M | B | 41% | #47 |
 Ender's Game | 2013 | $27.0M | $61.7M | 2.30x | $128.0M | — | 63% | — |
 Source Code | 2011 | $14.8M | $54.7M | 3.70x | $140.4M | — | 92% | — |
 Letters to Juliet | 2010 | $13.5M | $53.0M | 3.90x | $82.1M | — | 42% | — |
 Sinister | 2012 | $18.0M | $48.1M | 2.70x | $87.7M | — | 64% | — |
 John Wick | 2014 | $14.4M | $43.0M | 3.00x | $86.1M | B | 86% | — |
 50/50 | 2011 | $8.6M | $35.0M | 4.10x | $41.3M | — | 93% | — |
 Push | 2009 | $10.1M | $31.8M | 3.20x | $49.7M | — | 23% | — |
 Escape Plan | 2013 | $9.9M | $25.1M | 2.50x | $103.7M | — | 50% | — |
 Never Back Down | 2008 | $8.6M | $24.9M | 2.90x | $39.3M | — | 21% | — |
 The Darkest Hour | 2011 | $3.0M | $21.4M | 7.20x | $64.6M | — | 12% | — |
 The Three Musketeers | 2011 | $8.7M | $20.4M | 2.30x | $139.9M | B | 27% | — |
 Remember Me | 2010 | $8.1M | $19.1M | 2.40x | $56.5M | — | 26% | — |
 The Perks of Being a Wallflower | 2012 | $228K | $17.7M | 8.30x | $33.1M | — | 85% | — |
 The Hurt Locker | 2009 | $145K | $17.0M | — | $49.9M | — | 96% | — |
 The Ghost Writer | 2010 | $183K | $15.5M | 7.50x | $65.5M | — | 84% | — |
 Drive Angry | 2011 | $5.2M | $10.7M | 2.10x | $41.0M | — | 46% | — |
 Penelope | 2008 | $3.8M | $10.0M | 2.60x | $21.4M | — | 53% | — |
 Fair Game | 2010 | $651K | $9.5M | 6.10x | $21.8M | — | 78% | — |
 Sex Drive | 2008 | $3.6M | $8.4M | 2.30x | $10.4M | — | 46% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
3.9x
$4.26B worldwide on $1.08B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.82BInternational $2.44B
Return by film
Worldwide ÷ budget0x2.5x breakeven27.5x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#4Biggest November openingsThe Twilight Saga: New Moon$142.8M#7Biggest November openingsThe Twilight Saga: Breaking Dawn - Part 1$138.1M#12Biggest July 4th openingsThe Twilight Saga: Eclipse$64.8M#19Best multipliersThe Twilight Saga: Eclipse4.64x#41Biggest opening weekendsThe Twilight Saga: New Moon$142.8M#44Biggest opening weekendsThe Twilight Saga: Breaking Dawn - Part 1$138.1M
6 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Directors
Series
Counted from this filmography. The number is how many of these films each one accounts for.
