Franchise
X-MenFollow
14 films•2000–2024•20th Century Fox, Twentieth Century Fox
Avg critics68%
Avg audience78%
Avg domestic$221.1M
Domestic
$3.10B
Lifetime
Worldwide
$7.42B
Lifetime
Avg opening
$85.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Deadpool & Wolverine | 2024 | $211.4M | $636.8M | 3.00x | $1.34B | A | 81% | #2 |
| Deadpool | 2016 | $132.4M | $363.1M | 2.70x | $781.9M | A | 84% | #6 |
| Deadpool 2 | 2018 | $125.5M | $324.6M | 2.60x | $786.4M | A | 83% | #6 |
| X-Men: The Last Stand | 2006 | $103.0M | $234.4M | 2.28x | $459.3M | A- | 56% | #4 |
 X-Men: Days of Future Past | 2014 | $90.8M | $233.9M | 2.58x | $747.9M | A | 90% | #9 |
 Logan | 2017 | $88.4M | $226.3M | 2.56x | $614.2M | A | 93% | #11 |
 X2: X-Men United | 2003 | $85.6M | $214.9M | 2.51x | $406.3M | A | 85% | #6 |
 X-Men Origins: Wolverine | 2009 | $85.1M | $179.9M | 2.11x | $374.8M | B+ | 37% | #13 |
 X-Men | 2000 | $54.5M | $157.3M | 2.89x | $296.9M | A- | 82% | #8 |
 X-Men: Apocalypse | 2016 | $65.8M | $155.4M | 2.36x | $542.5M | A- | 47% | #17 |
 X-Men: First Class | 2011 | $55.1M | $146.4M | 2.66x | $355.4M | B+ | 86% | #17 |
 The Wolverine | 2013 | $53.1M | $132.6M | 2.50x | $416.5M | A- | 71% | #22 |
 X-Men: Dark Phoenix | 2019 | $32.8M | $65.8M | 2.01x | $246.4M | B- | 22% | #44 |
 The New Mutants | 2020 | $7.0M | $23.9M | 3.40x | $47.5M | B- | 36% | #14 |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$500M$1B
DomesticInternationalColumn height is worldwide · one film every 1.8 years
Profitability
Return on budget
3.8x
$7.42B worldwide on $1.97B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $3.10BInternational $4.32B
Return by film
Worldwide ÷ budget0x2.5x breakeven13.5x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#1Biggest R openingsDeadpool & Wolverine$211.4M#1All-time R domesticDeadpool & Wolverine$636.7M#2Biggest R openingsDeadpool$132.4M#2Biggest February openingsDeadpool$132.4M#2Biggest July openingsDeadpool & Wolverine$211.4M#3Biggest R openingsDeadpool 2$125.5M#4All-time R domesticDeadpool$363.1M#5Biggest Memorial Day openingsX-Men: The Last Stand$122.9M#7Biggest March openingsLogan$88.4M#9All-time R domesticDeadpool 2$324.6M
Top 10 of 27 placings across 17 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Directors
Studios
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
Week 34 · RecapBrand New Day closes in on #2 all-time; Odyssey beats The Dark Knight to take Nolan’s domestic record; Insidious opens to $25MAugust 21–23, 2026
Special Coverage · Summer 2026Summer 2026 Recap: the hits, the flops, the breakouts, and the winners and losers of the seasonAugust 20, 2026
Week 31 · RecapBrand New Day takes the all-time record with $360M; The Odyssey holds at $51MJuly 31–August 2, 2026
