Actor
Dianne WiestFollow
18 films•1984–2021•Drama · Comedy · Romance
Avg critics69%
Avg audience72%
Avg domestic$54.0M
Domestic
$918.5M
Lifetime
Worldwide
$1.04B
Lifetime
Avg opening
$7.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Birdcage | 1996 | $18.3M | $124.1M | 6.80x | $181.8M | — | 85% | — |
 The Mule | 2018 | $17.5M | $103.8M | 5.88x | $102.2M | A− | 70% | #32 |
 Parenthood | 1989 | $10.5M | $100.0M | 9.50x | $126.3M | A | 92% | — |
 Sisters | 2015 | $13.8M | $87.0M | 6.29x | $106.0M | B+ | 62% | #34 |
 Footloose | 1984 | $8.6M | $80.0M | 9.30x | — | — | 55% | — |
 The Horse Whisperer | 1998 | $13.7M | $75.4M | 5.50x | $186.9M | A- | 73% | — |
 Edward Scissorhands | 1990 | $160K | $54.0M | 338.2x | — | — | 92% | — |
 The Odd Life of Timothy Green | 2012 | $10.8M | $51.9M | 4.80x | $55.2M | A- | 36% | — |
 Dan in Real Life | 2007 | $11.8M | $47.6M | 4.00x | $65.7M | B+ | 65% | — |
 Practical Magic | 1998 | $13.1M | $46.9M | 3.60x | $68.3M | — | 30% | — |
 I Am Sam | 2001 | $42K | $40.3M | 4.80x | $92.5M | A | 35% | — |
 Hannah and Her Sisters | 1986 | $1.3M | $40.1M | 12.3x | — | — | 92% | — |
 The Lost Boys | 1987 | $5.2M | $33.1M | 6.30x | $33.3M | — | 75% | — |
 Bullets Over Broadway | 1994 | $86K | $13.4M | — | $13.4M | — | 95% | — |
 The Purple Rose of Cairo | 1985 | $114K | $10.6M | 11.4x | — | — | 93% | — |
 The Big Year | 2011 | $3.3M | $7.2M | 2.20x | $7.7M | — | 41% | — |
 Synecdoche, New York | 2008 | $172K | $3.1M | 9.30x | $4.4M | — | 69% | — |
 I Care a Lot | 2021 | — | — | — | $1.2M | — | 79% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 2.2 years
Profitability
Return on budget
2.0x
$656.5M worldwide on $331.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $448.7MInternational $207.8M
Return by film
Worldwide ÷ budget0x2.5x breakeven4.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
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