Studio
Touchstone PicturesFollow
53 films•1984–2014•Comedy · Drama · Romance
Avg critics63%
Avg audience69%
Avg domestic$65.3M
Domestic
$3.46B
Lifetime
Worldwide
$4.72B
Lifetime
Avg opening
$10.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Pretty Woman | 1990 | $11.3M | $178.4M | 15.8x | $432.6M | — | 65% | — |
| The Waterboy | 1998 | $39.4M | $161.5M | 4.10x | $190.2M | — | 32% | — |
| Who Framed Roger Rabbit | 1988 | $11.2M | $154.1M | 13.7x | $351.5M | — | 96% | — |
| Sister Act | 1992 | $11.9M | $139.6M | 11.7x | $231.6M | A | 73% | — |
 Ransom | 1996 | $34.2M | $136.5M | 4.00x | $308.7M | — | 73% | — |
 Good Morning, Vietnam | 1987 | $11.8M | $123.9M | 10.5x | — | — | 90% | — |
 Enemy of the State | 1998 | $20.0M | $111.5M | 5.60x | $250.6M | — | 71% | — |
 Phenomenon | 1996 | $24.5M | $104.6M | 4.30x | $152.0M | — | 49% | — |
 Dick Tracy | 1990 | $22.5M | $103.7M | 4.60x | $162.7M | — | 63% | — |
 Con Air | 1997 | $24.1M | $101.1M | 4.20x | $224.1M | — | 59% | — |
 Dead Poets Society | 1989 | $340K | $95.9M | 12.7x | $236.0M | — | 85% | — |
 Father of the Bride | 1991 | $7.0M | $89.3M | 12.7x | — | — | 73% | — |
 Cocktail | 1988 | $11.8M | $78.2M | 6.60x | $171.5M | B+ | 11% | — |
 Father of the Bride Part II | 1995 | $11.1M | $76.6M | 6.90x | — | A- | 54% | — |
 The Horse Whisperer | 1998 | $13.7M | $75.4M | 5.50x | $186.9M | A- | 73% | — |
 Six Days Seven Nights | 1998 | $16.5M | $74.3M | 4.50x | $164.8M | B+ | 40% | — |
 Ruthless People | 1986 | $5.3M | $71.6M | 13.6x | — | — | 93% | — |
 Turner & Hooch | 1989 | $12.2M | $71.1M | 5.80x | — | — | 50% | — |
 Stakeout | 1987 | $5.2M | $65.7M | 12.7x | — | — | 89% | — |
 Deuce Bigalow: Male Gigolo | 1999 | $12.2M | $65.5M | 5.40x | $92.9M | — | 23% | — |
 What About Bob? | 1991 | $9.2M | $63.7M | 6.90x | — | — | 71% | — |
 Splash | 1984 | $6.2M | $62.6M | 10.1x | — | — | 91% | — |
 Down and Out in Beverly Hills | 1986 | $5.7M | $62.1M | 10.9x | — | B | 77% | — |
 Open Range | 2003 | $14.0M | $58.3M | 4.20x | $68.6M | — | 79% | — |
 Bicentennial Man | 1999 | $8.2M | $58.2M | 7.10x | $87.4M | — | 38% | — |
 Sister Act 2: Back in the Habit | 1993 | $7.6M | $57.3M | 7.60x | — | — | 19% | — |
 A Civil Action | 1998 | $70K | $56.7M | 3.70x | — | B | 65% | — |
 The Guardian | 2006 | $18.0M | $55.0M | 3.10x | $95.0M | — | 37% | — |
 The Hundred-Foot Journey | 2014 | $11.0M | $54.2M | 4.90x | $94.3M | A | 69% | — |
 The Prestige | 2006 | $14.8M | $53.1M | 3.60x | $104.4M | — | 76% | — |
 The Recruit | 2003 | $16.3M | $52.8M | 3.20x | $101.2M | — | 43% | — |
 The Color of Money | 1986 | $6.4M | $52.3M | 8.20x | — | B- | 87% | — |
 Up Close & Personal | 1996 | $11.1M | $51.0M | 4.60x | $100.6M | A- | 32% | — |
 The Nightmare Before Christmas | 1993 | $191K | $50.0M | 6.10x | — | — | 95% | — |
 The Preacher's Wife | 1996 | $7.6M | $48.1M | 6.30x | $56.4M | — | 60% | — |
 Dan in Real Life | 2007 | $11.8M | $47.6M | 4.00x | $65.7M | B+ | 65% | — |
 O Brother, Where Art Thou? | 2000 | $195K | $45.5M | 12.5x | $75.8M | — | 78% | — |
 Nothing to Lose | 1997 | $11.6M | $44.5M | 3.80x | $64.6M | A- | 32% | — |
 Need for Speed | 2014 | $17.8M | $43.6M | 2.40x | $194.2M | — | 23% | — |
 The Ladykillers | 2004 | $12.6M | $39.7M | 3.10x | $77.4M | — | 54% | — |
 What's Love Got to Do with It | 1993 | $1.2M | $39.1M | 7.10x | — | — | 97% | — |
 Adventures in Babysitting | 1987 | $2.9M | $33.8M | 11.6x | — | — | 73% | — |
 The 13th Warrior | 1999 | $10.3M | $32.7M | 3.20x | $61.7M | — | 34% | — |
 Bad Company | 2002 | $11.0M | $30.2M | 2.70x | $69.2M | B | 11% | — |
 Romy and Michele's High School Reunion | 1997 | $7.4M | $29.2M | 3.90x | — | — | 75% | — |
 The Insider | 1999 | $6.7M | $29.0M | 4.30x | $60.3M | — | 96% | — |
 High Fidelity | 2000 | $6.4M | $27.3M | 4.20x | $47.9M | — | 91% | — |
 You Again | 2010 | $8.4M | $25.7M | 3.10x | $32.8M | — | 20% | — |
 The Life Aquatic with Steve Zissou | 2004 | $113K | $24.0M | 5.30x | $34.8M | — | 57% | — |
 He Got Game | 1998 | $7.6M | $21.6M | 2.80x | $22.4M | — | 82% | — |
 Rushmore | 1998 | $44K | $17.1M | 4.60x | $19.1M | — | 90% | — |
 25th Hour | 2002 | $2.8M | $13.1M | 4.60x | $25.3M | — | 79% | — |
 Ed Wood | 1994 | $72K | $5.9M | 3.10x | $5.9M | — | 92% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
2.9x
$4.27B worldwide on $1.49B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.17BInternational $2.10B
Return by film
Worldwide ÷ budget0x2.5x breakeven28.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.