Actor
Paul BettanyFollow
16 films•2001–2015•Drama · Action · Thriller
Avg critics46%
Avg audience59%
Avg domestic$52.8M
Domestic
$845.3M
Lifetime
Worldwide
$2.28B
Lifetime
Avg opening
$14.1M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Da Vinci Code | 2006 | $77.1M | $217.5M | 2.82x | $767.8M | B+ | 25% | #5 |
 A Beautiful Mind | 2001 | $2.5M | $171.0M | 10.3x | $314.0M | A- | 74% | #11 |
 Master and Commander: The Far Side of the World | 2003 | $25.1M | $93.9M | 3.74x | $212.0M | B+ | 85% | #32 |
 The Tourist | 2010 | $16.5M | $67.6M | 4.11x | $279.0M | B | 21% | #47 |
 A Knight's Tale | 2001 | $16.5M | $56.6M | 3.43x | $117.0M | B+ | 59% | #45 |
 Firewall | 2006 | $13.6M | $48.8M | 3.60x | $82.8M | — | 19% | — |
 Legion | 2010 | $17.5M | $40.2M | 2.30x | $67.6M | — | 20% | — |
 The Secret Life of Bees | 2008 | $10.5M | $37.8M | 3.60x | $40.0M | — | 60% | — |
 Priest | 2011 | $15.0M | $29.1M | 1.90x | $84.2M | — | 16% | — |
 Transcendence | 2014 | $10.9M | $23.0M | 2.10x | $103.0M | — | 19% | — |
 Inkheart | 2009 | $7.6M | $17.3M | 2.30x | $66.7M | — | 38% | — |
 Wimbledon | 2004 | $7.1M | $16.9M | 2.40x | $41.7M | — | 61% | — |
 The Young Victoria | 2009 | $160K | $11.0M | 9.30x | $31.9M | — | 75% | — |
 Mortdecai | 2015 | $4.2M | $7.7M | 1.80x | $37.4M | — | 12% | — |
 Margin Call | 2011 | $562K | $5.4M | 7.40x | $20.4M | — | 87% | — |
 Dogville | 2004 | $89K | $1.5M | 7.50x | $14.9M | — | 70% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 0.9 years
Profitability
Return on budget
2.4x
$2.27B worldwide on $938.4M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $843.8MInternational $1.42B
Return by film
Worldwide ÷ budget0x2.5x breakeven6.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.