Actor
Alec BaldwinFollow
30 films•1988–2021•Drama · Comedy · Adventure
Avg critics58%
Avg audience63%
Avg domestic$64.7M
Domestic
$1.94B
Lifetime
Worldwide
$4.15B
Lifetime
Avg opening
$14.5M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Mission: Impossible - Rogue Nation | 2015 | $55.3M | $195.0M | 3.53x | $688.9M | A- | 93% | #12 |
 The Boss Baby | 2017 | $50.9M | $175.0M | 3.44x | $504.1M | A | 53% | #17 |
 The Hunt for Red October | 1990 | $17.2M | $120.7M | 7.00x | $200.5M | — | 88% | — |
 It's Complicated | 2009 | $22.1M | $113.0M | 5.10x | $219.0M | A | 58% | #28 |
 Fun with Dick and Jane | 2005 | $14.4M | $110.0M | 7.67x | $205.0M | B | 30% | #18 |
 Rise of the Guardians | 2012 | $23.8M | $103.0M | 4.35x | $307.0M | A | 75% | #31 |
 The Aviator | 2004 | $858K | $103.0M | 11.9x | $214.0M | B+ | 86% | #22 |
 The Cat in the Hat | 2003 | $38.3M | $101.0M | 2.64x | $134.0M | B- | 10% | #29 |
 Cats & Dogs | 2001 | $21.7M | $93.4M | 4.30x | $201.0M | B+ | 52% | #24 |
 Along Came Polly | 2004 | $27.7M | $88.1M | 3.18x | $178.0M | B | 27% | #26 |
 Beetlejuice | 1988 | $8.0M | $77.5M | 9.60x | $78.1M | — | 83% | — |
 Working Girl | 1988 | $4.7M | $63.8M | 13.5x | $103.0M | A- | 83% | — |
 The Good Shepherd | 2006 | $9.9M | $60.0M | 6.05x | $100.0M | B- | 56% | #50 |
 The Boss Baby: Family Business | 2021 | $16.0M | $57.3M | 3.58x | $146.7M | A | 46% | #21 |
 BlacKkKlansman | 2018 | $10.8M | $49.3M | 4.50x | $93.4M | A- | 96% | — |
 My Sister's Keeper | 2009 | $12.4M | $49.2M | 4.00x | $96.7M | A- | 47% | — |
 Malice | 1993 | $9.2M | $46.0M | 5.00x | — | — | 54% | — |
 Rock of Ages | 2012 | $14.4M | $38.5M | 2.70x | $61.0M | B | 43% | — |
 Concussion | 2015 | $10.5M | $34.5M | 3.30x | $50.4M | — | 58% | — |
 Blue Jasmine | 2013 | $612K | $33.4M | 8.40x | $102.9M | — | 90% | — |
 Mercury Rising | 1998 | $10.1M | $33.0M | 3.30x | $93.2M | — | 21% | — |
 Final Fantasy: The Spirits Within | 2001 | $11.4M | $32.1M | 2.82x | $85.1M | C+ | 44% | — |
 The Shadow | 1994 | $11.7M | $31.8M | 2.70x | $47.8M | — | 38% | — |
 The Edge | 1997 | $7.7M | $27.8M | 3.60x | $34.1M | — | 63% | — |
 Elizabethtown | 2005 | $10.6M | $26.9M | 2.50x | $50.7M | — | 27% | — |
 Aloha | 2015 | $9.7M | $21.1M | 2.20x | $25.4M | — | 20% | — |
 Still Alice | 2014 | $212K | $18.7M | 8.60x | $41.6M | — | 85% | — |
 To Rome with Love | 2012 | $361K | $16.7M | 5.40x | $74.3M | — | 47% | — |
 Glengarry Glen Ross | 1992 | $2.1M | $10.7M | 5.10x | — | — | 95% | — |
 Motherless Brooklyn | 2019 | $3.5M | $9.3M | 2.70x | $18.6M | — | 65% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.1 years
Profitability
Return on budget
2.4x
$4.02B worldwide on $1.66B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.79BInternational $2.23B
Return by film
Worldwide ÷ budget0x2.5x breakeven8.3x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
