Actor & Director
Bradley CooperFollow
28 films•2 as director•2001–2023•Comedy · Drama · Romance
Avg critics56%
Avg audience64%
Avg domestic$115.1M
Domestic
$3.11B
Lifetime
Worldwide
$6.17B
Lifetime
Avg opening
$27.3M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Guardians of the Galaxy Vol. 2 | 2017 | $146.5M | $389.8M | 2.66x | $869.1M | A | 85% | #5 |
 American Sniper | 2015 | $633K | $350.1M | 3.90x | $547.6M | A+ | 72% | #6 |
 Guardians of the Galaxy | 2014 | $94.3M | $333.7M | 3.54x | $770.9M | A | 92% | #3 |
 The Hangover | 2009 | $45.0M | $277.3M | 6.16x | $465.5M | A | 79% | #6 |
 The Hangover Part II | 2011 | $85.9M | $254.5M | 2.96x | $586.8M | A- | 35% | #4 |
 A Star Is Born | 2018 | $42.9M | $215.3M | 5.01x | $436.4M | A | 90% | — |
 American Hustle | 2013 | $19.1M | $150.0M | 7.86x | $251.0M | B+ | 92% | #17 |
 Silver Linings Playbook | 2012 | $443K | $132.0M | 30.1x | $236.0M | A- | 92% | #23 |
 The Hangover Part III | 2013 | $41.7M | $112.2M | 2.69x | $362.0M | B | 21% | #29 |
 Valentine's Day | 2010 | $56.3M | $110.0M | 1.96x | $216.0M | B | 18% | #24 |
 The Mule | 2018 | $17.5M | $103.8M | 5.88x | $102.2M | A− | 70% | #32 |
 Yes Man | 2008 | $18.3M | $97.7M | 5.35x | $223.0M | A- | 44% | #30 |
 He's Just Not That Into You | 2009 | $27.8M | $94.0M | 3.38x | $179.0M | A | 42% | #35 |
 Failure to Launch | 2006 | $24.4M | $88.7M | 3.63x | $130.0M | A- | 23% | #21 |
 Limitless | 2011 | $18.9M | $79.2M | 4.19x | $162.0M | B+ | 68% | #41 |
 The A-Team | 2010 | $25.7M | $77.2M | 3.01x | $177.0M | B+ | 48% | #44 |
 Joy | 2015 | $17.0M | $56.5M | 3.32x | $101.1M | B+ | 60% | #29 |
 War Dogs | 2016 | $14.7M | $43.0M | 2.90x | $86.4M | — | 62% | — |
 All About Steve | 2009 | $11.2M | $33.9M | 3.00x | $40.1M | — | 7% | — |
 The Place Beyond the Pines | 2012 | $279K | $21.4M | 4.40x | $47.0M | — | 79% | — |
 Aloha | 2015 | $9.7M | $21.1M | 2.20x | $25.4M | — | 20% | — |
 Licorice Pizza | 2021 | $345K | $17.3M | 9.10x | $32.9M | — | 90% | — |
 Burnt | 2015 | $5.0M | $13.7M | 2.70x | $36.8M | — | 29% | — |
 Case 39 | 2010 | $5.4M | $13.3M | 2.50x | $28.8M | — | 22% | — |
 The Words | 2012 | $4.8M | $11.5M | 2.40x | $16.4M | — | 24% | — |
 Nightmare Alley | 2021 | $2.8M | $11.3M | 4.00x | $39.6M | B | 80% | — |
 Wet Hot American Summer | 2001 | $17K | $547K | — | $0.5M | — | 39% | — |
 Maestro | 2023 | — | — | — | $0.5M | — | 78% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on budget
4.2x
$6.17B worldwide on $1.47B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $3.11BInternational $3.06B
Return by film
Worldwide ÷ budget0x2.5x breakeven13.3x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#1Biggest 4th weekendsAmerican Sniper$89.3M#1Biggest January openingsAmerican Sniper$89.3M#2Biggest August openingsGuardians of the Galaxy$94.3M#4Biggest 10th weekendsSilver Linings Playbook$10.8M#5All-time R domesticAmerican Sniper$350.1M#7Biggest May openingsGuardians of the Galaxy Vol. 2$146.5M#7Biggest grossers never #1A Star Is Born$215.3M#10Biggest Memorial Day openingsThe Hangover Part II$103.4M#11Biggest R openingsThe Hangover Part II$85.9M#11Biggest February openingsValentine's Day$56.3M
Top 10 of 26 placings across 21 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.