

Actor & Director
Elizabeth BanksFollow
27 films•4 as director•2003–2023•Comedy · Action · Drama
Avg critics63%
Avg audience66%
Avg domestic$109.2M
Domestic
$2.95B
Lifetime
Worldwide
$5.53B
Lifetime
Avg opening
$35.2M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
The Hunger Games: Catching Fire | 2013 | $158.0M | $424.7M | 2.69x | $864.8M | A | 90% | #1 |
The Hunger Games | 2012 | $153.0M | $408.0M | 2.67x | $677.9M | A | 84% | #3 |
The Hunger Games: Mockingjay - Part 1 | 2014 | $121.9M | $337.1M | 2.77x | $766.6M | A- | 65% | #2 |
The Hunger Games: Mockingjay - Part 2 | 2015 | $102.7M | $281.7M | 2.74x | $646.1M | A- | 69% | #8 |
The Lego Movie | 2014 | $69.1M | $258.4M | 3.74x | $467.2M | A | 96% | #5 |
Pitch Perfect 2 | 2015 | $69.2M | $184.3M | 2.66x | $287.2M | A- | 66% | #13 |
Migration | 2023 | $12.5M | $127.6M | 10.2x | $301.2M | — | 73% | — |
Seabiscuit | 2003 | $20.9M | $120.0M | 5.77x | $148.0M | A | 77% | #18 |
The 40-Year-Old Virgin | 2005 | $21.4M | $109.0M | 5.11x | $177.0M | A- | 85% | #19 |
The LEGO Movie 2: The Second Part | 2019 | $34.4M | $105.8M | 3.10x | $192.3M | A- | 84% | #29 |
Pitch Perfect 3 | 2017 | $19.9M | $104.9M | 5.26x | $185.7M | A | 40% | #29 |
Role Models | 2008 | $19.2M | $67.3M | 3.51x | $94.5M | — | 77% | #48 |
Cocaine Bear | 2023 | $23.3M | $64.7M | 2.80x | $90.0M | A | 89% | #40 |
Invincible | 2006 | $17.0M | $57.8M | 3.40x | $58.5M | A- | 71% | — |
What to Expect When You're Expecting | 2012 | $10.5M | $41.2M | 3.90x | $88.5M | — | 23% | — |
Definitely, Maybe | 2008 | $9.8M | $32.2M | 3.30x | $55.6M | — | 71% | — |
Zack and Miri Make a Porno | 2008 | $10.1M | $31.5M | 3.10x | $36.9M | — | 65% | — |
The Uninvited | 2009 | $10.3M | $28.6M | 2.80x | $42.8M | — | 31% | — |
W. | 2008 | $10.5M | $25.5M | 2.40x | $28.6M | — | 58% | — |
Our Idiot Brother | 2011 | $7.0M | $24.8M | 3.50x | $25.9M | — | 70% | — |
The Next Three Days | 2010 | $6.5M | $21.1M | 3.20x | $67.3M | — | 50% | — |
The Happytime Murders | 2018 | $9.5M | $20.7M | 2.20x | $27.5M | — | 23% | — |
Man on a Ledge | 2012 | $8.0M | $18.6M | 2.30x | $49.6M | — | 31% | — |
Charlie's Angels | 2019 | $8.4M | $17.8M | 2.10x | $73.2M | — | 52% | — |
Brightburn | 2019 | $7.8M | $17.3M | 2.20x | $33.2M | — | 57% | — |
Movie 43 | 2013 | $4.8M | $8.8M | 1.80x | $31.2M | — | 5% | — |
Slither | 2006 | $3.9M | $7.8M | 2.00x | $12.9M | — | 87% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on budget
4.2x
$5.49B worldwide on $1.30B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.92BInternational $2.57B
Return by film
Worldwide ÷ budget0x2.5x breakeven9.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#2Biggest November openingsThe Hunger Games: Catching Fire$158.1M#4Biggest March openingsThe Hunger Games$152.5M#7Biggest February openingsThe Lego Movie$69.1M#11Biggest November openingsThe Hunger Games: Mockingjay - Part 1$121.9M#11Best second-weekend holds ($50M+ openers)The Lego Movie−27.8%#14Biggest November openingsThe Hunger Games: Mockingjay - Part 2$102.7M#27Biggest opening weekendsThe Hunger Games: Catching Fire$158.1M#31Biggest opening weekendsThe Hunger Games$152.5M#41Biggest domestic runsThe Hunger Games: Catching Fire$424.7M
9 placings across 6 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.






























