

Actor
Helena Bonham CarterFollow
24 films•1986–2026•Drama · Adventure · Fantasy
Avg critics70%
Avg audience68%
Avg domestic$109.6M
Domestic
$2.52B
Lifetime
Worldwide
$7.02B
Lifetime
Avg opening
$33.5M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Alice in Wonderland | 2010 | $116.0M | $334.2M | 2.88x | $1.03B | A- | 51% | #2 |
Harry Potter and the Deathly Hallows: Part 1 | 2010 | $125.0M | $297.4M | 2.38x | $943.5M | A | 76% | #5 |
Harry Potter and the Order of the Phoenix | 2007 | $77.1M | $293.1M | 3.80x | $937.4M | A- | 78% | #5 |
Charlie and the Chocolate Factory | 2005 | $56.2M | $206.0M | 3.68x | $475.0M | A- | 83% | #7 |
Cinderella | 2015 | $67.9M | $201.2M | 2.96x | $542.4M | A | 84% | #10 |
Planet of the Apes | 2001 | $68.5M | $180.0M | 2.63x | $362.2M | B- | 42% | #10 |
Ocean's 8 | 2018 | $41.6M | $140.2M | 3.37x | $297.7M | B+ | 69% | #24 |
The King's Speech | 2010 | $9.2M | $135.0M | 14.7x | $411.0M | A+ | 94% | #18 |
Terminator Salvation | 2009 | $42.6M | $125.3M | 2.94x | $365.5M | A | 33% | #23 |
The Lone Ranger | 2013 | $29.2M | $89.3M | 3.06x | $261.0M | B+ | 31% | #40 |
Dark Shadows | 2012 | $29.7M | $79.7M | 2.69x | $246.0M | B- | 35% | #38 |
Alice Through the Looking Glass | 2016 | $26.9M | $77.0M | 2.87x | $276.9M | A- | 29% | #39 |
Big Fish | 2003 | $13.8M | $66.8M | 4.80x | $123.0M | B+ | 76% | #44 |
Wallace & Gromit: The Curse of the Were-Rabbit | 2005 | $16.0M | $56.1M | 3.50x | $193.0M | B+ | 95% | #48 |
Corpse Bride | 2005 | $19.1M | $53.4M | 2.79x | $117.0M | B+ | 85% | — |
Sweeney Todd: The Demon Barber of Fleet Street | 2007 | $9.3M | $52.9M | 5.69x | $153.0M | — | 86% | #48 |
Fight Club | 1999 | $11.0M | $37.0M | 3.40x | $100.8M | — | 81% | — |
Howards End | 1992 | $53K | $26.1M | — | $26.4M | — | 94% | — |
Mary Shelley's Frankenstein | 1994 | $11.2M | $22.0M | 2.00x | $112.0M | B- | 42% | — |
A Room with a View | 1986 | — | $21.0M | — | — | — | 100% | — |
Hamlet | 1990 | $117K | $20.7M | 177.1x | $22.5M | — | 76% | — |
Mighty Aphrodite | 1995 | $326K | $6.4M | — | $26.0M | — | 78% | — |
Mary Oliver: Saved by the Beauty of the World | 2026 | $25K | $785K | 31.4x | $0.6M | — | 0% | #131 |
Enola Holmes | 2020 | — | — | — | — | — | 91% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$500M$1B
DomesticInternationalColumn height is worldwide · one film every 1.7 years
Profitability
Return on budget
3.4x
$6.97B worldwide on $2.07B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.47BInternational $4.50B
Return by film
Worldwide ÷ budget0x2.5x breakeven12.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest 10th weekendsThe King's Speech$11.1M#6Biggest March openingsAlice in Wonderland$116.1M#9Biggest November openingsHarry Potter and the Deathly Hallows: Part 1$125.0M#14Best second-weekend holds ($100M+ openers)Alice in Wonderland−46.0%#16Biggest PG openingsAlice in Wonderland$116.1M#18Biggest March openingsCinderella$67.9M
Top 6 of 8 placings across 7 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.



























