Actor
Jesse PlemonsFollow
15 films•2002–2026•Drama · Comedy · Crime
Avg critics76%
Avg audience71%
Avg domestic$34.3M
Domestic
$411.5M
Lifetime
Worldwide
$810.4M
Lifetime
Avg opening
$9.5M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Jungle Cruise | 2021 | $34.0M | $117.0M | 3.40x | $221.0M | A- | 62% | #12 |
 Killers of the Flower Moon | 2023 | $23.3M | $68.0M | 2.90x | $158.8M | A | 91% | #35 |
 Like Mike | 2002 | $12.2M | $51.4M | 4.22x | $62.4M | A | 57% | #48 |
 American Made | 2017 | $16.8M | $51.3M | 3.10x | $135.6M | — | 85% | — |
 Hostiles | 2017 | $23K | $29.8M | 2.90x | $37.0M | — | 71% | — |
 Observe and Report | 2009 | $11.0M | $24.0M | 2.20x | $27.1M | — | 51% | — |
 Bugonia | 2025 | $710K | $17.7M | 3.50x | $43.7M | B | 88% | — |
 The Master | 2012 | $736K | $16.2M | 3.70x | $29.0M | — | 85% | — |
 Digger | 2026 | $8.0M | $15.0M | 1.88x | $35.9M | C+ | 51% | #65 |
 Antlers | 2021 | $4.3M | $10.6M | 2.50x | $35.7M | — | 59% | — |
 Judas and the Black Messiah | 2020 | $2.0M | $5.5M | 2.70x | $7.5M | — | 96% | — |
 Kinds of Kindness | 2024 | $377K | $5.0M | 3.20x | $16.4M | — | 71% | — |
 The Power of the Dog | 2021 | — | — | — | $0.3M | — | 94% | — |
 I'm Thinking of Ending Things | 2020 | — | — | — | — | — | 82% | — |
 El Camino | 2019 | — | — | — | — | — | 92% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.7 years
Profitability
Return on budget
1.0x
$774.4M worldwide on $806.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $400.9MInternational $373.5M
Return by film
Worldwide ÷ budget0x2.5x breakeven2.7x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
