Actor
Michael DouglasFollow
26 films•1979–2023•Drama · Thriller · Comedy
Avg critics64%
Avg audience64%
Avg domestic$79.9M
Domestic
$2.08B
Lifetime
Worldwide
$4.25B
Lifetime
Avg opening
$19.2M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Ant-Man and the Wasp | 2018 | $75.8M | $216.6M | 2.86x | $623.1M | A | 87% | #11 |
 Ant-Man and the Wasp: Quantumania | 2023 | $106.1M | $214.5M | 2.00x | $476.1M | A | 46% | #9 |
 Ant-Man | 2015 | $57.2M | $180.2M | 3.15x | $518.9M | A | 83% | #15 |
 Fatal Attraction | 1987 | $7.6M | $156.6M | 20.6x | $320.1M | — | 74% | — |
 Traffic | 2001 | $15.5M | $124.0M | 8.00x | $208.0M | — | 93% | #16 |
 Basic Instinct | 1992 | $15.1M | $117.7M | 7.80x | $352.7M | — | 56% | — |
 The War of the Roses | 1989 | $9.7M | $83.7M | 8.60x | $157.0M | B | 84% | — |
 Disclosure | 1994 | $10.1M | $83.0M | 8.20x | $212.2M | — | 58% | — |
 You, Me and Dupree | 2006 | $21.5M | $75.6M | 3.51x | $131.0M | — | 21% | #30 |
 Romancing the Stone | 1984 | $5.1M | $75.1M | 14.7x | $115.1M | — | 86% | — |
 The Jewel of the Nile | 1985 | $6.6M | $68.3M | 10.3x | — | — | 50% | — |
 A Perfect Murder | 1998 | $16.6M | $67.7M | 4.10x | $128.1M | B | 55% | — |
 Last Vegas | 2013 | $16.3M | $63.9M | 3.90x | $112.9M | A- | 45% | — |
 The American President | 1995 | $10.0M | $60.0M | 6.00x | $107.8M | A | 90% | — |
 Ghosts of Girlfriends Past | 2009 | $15.4M | $55.3M | 3.60x | $102.5M | B | 27% | — |
 Don't Say a Word | 2001 | $17.1M | $55.0M | 3.22x | $100.0M | B+ | 24% | #46 |
 Wall Street: Money Never Sleeps | 2010 | $19.0M | $52.5M | 2.80x | $137.4M | B- | 54% | — |
 The Game | 1997 | $14.3M | $48.3M | 3.40x | $80.4M | — | 77% | — |
 Black Rain | 1989 | $9.7M | $45.9M | 4.70x | $133.9M | B+ | 56% | — |
 Wall Street | 1987 | $4.1M | $43.8M | 10.7x | $43.8M | — | 78% | — |
 Falling Down | 1993 | $8.7M | $40.9M | 4.70x | $40.9M | — | 77% | — |
 The Ghost and the Darkness | 1996 | $10.3M | $38.6M | 3.70x | — | — | 51% | — |
 The Sentinel | 2006 | $14.4M | $36.3M | 2.50x | $78.1M | — | 34% | — |
 The China Syndrome | 1979 | — | $35.7M | — | — | — | 88% | — |
 Wonder Boys | 2000 | $5.8M | $19.4M | 3.30x | $33.4M | — | 81% | — |
 Haywire | 2012 | $8.4M | $18.9M | 2.20x | $36.4M | — | 80% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.8 years
Profitability
Return on budget
2.9x
$3.15B worldwide on $1.07B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.37BInternational $1.78B
Return by film
Worldwide ÷ budget0x2.5x breakeven8.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest February openingsAnt-Man and the Wasp: Quantumania$106.1M#7Biggest July 4th openingsAnt-Man and the Wasp$75.8M#10Most weeks at #1Fatal Attraction8 weeks#12Most weekends in the top 10Fatal Attraction22 weekends
4 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
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