Actor
Michelle WilliamsFollow
15 films•1998–2022•Drama · Thriller · Romance
Avg critics70%
Avg audience73%
Avg domestic$85.0M
Domestic
$1.27B
Lifetime
Worldwide
$3.18B
Lifetime
Avg opening
$23.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Oz the Great and Powerful | 2013 | $79.1M | $235.0M | 2.97x | $493.0M | B+ | 56% | #10 |
 Venom: Let There Be Carnage | 2021 | $90.1M | $213.6M | 2.40x | $501.5M | B+ | 67% | #3 |
 Venom | 2018 | $80.3M | $213.5M | 2.66x | $856.1M | B+ | 32% | #13 |
 The Greatest Showman | 2017 | $8.8M | $174.3M | 19.8x | $459.5M | A | 56% | #18 |
 Shutter Island | 2010 | $41.1M | $128.0M | 3.12x | $295.0M | C+ | 69% | #20 |
 Brokeback Mountain | 2005 | $5.8M | $83.0M | 14.3x | $178.0M | — | 88% | #23 |
 Halloween H20: 20 Years Later | 1998 | $16.2M | $55.0M | 3.40x | $64.9M | — | 54% | — |
 I Feel Pretty | 2018 | $16.0M | $48.8M | 3.00x | $91.4M | B+ | 35% | — |
 Manchester by the Sea | 2016 | $256K | $47.7M | 11.3x | $77.7M | — | 96% | — |
 All the Money in the World | 2017 | $5.6M | $25.1M | 4.50x | $56.9M | B | 79% | — |
 The Fabelmans | 2022 | $162K | $17.3M | 7.70x | $43.3M | A | 92% | — |
 My Week with Marilyn | 2011 | $1.8M | $14.6M | 8.30x | $34.2M | — | 82% | — |
 Blue Valentine | 2010 | $194K | $9.7M | 7.00x | $16.6M | — | 87% | — |
 The Station Agent | 2003 | $58K | $5.8M | 13.4x | $9.5M | — | 94% | — |
 Synecdoche, New York | 2008 | $172K | $3.1M | 9.30x | $4.4M | — | 69% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.7 years
Profitability
Return on budget
4.1x
$3.18B worldwide on $782.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.27BInternational $1.91B
Return by film
Worldwide ÷ budget0x2.5x breakeven19.0x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest October openingsVenom: Let There Be Carnage$90.0M#4Biggest October openingsVenom$80.3M#11Biggest March openingsOz the Great and Powerful$79.1M#20Biggest February openingsShutter Island$41.1M#20Biggest grossers never #1The Greatest Showman$174.3M
5 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Studios
Counted from this filmography. The number is how many of these films each one accounts for.