Actor & Director
Olivia WildeFollow
16 films•3 as director•2010–2026•Drama · Comedy · Action
Avg critics57%
Avg audience61%
Avg domestic$39.0M
Domestic
$624.2M
Lifetime
Worldwide
$1.37B
Lifetime
Avg opening
$11.2M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Tron: Legacy | 2010 | $44.0M | $172.0M | 3.91x | $400.0M | B+ | 51% | #12 |
 Cowboys & Aliens | 2011 | $36.4M | $100.0M | 2.75x | $175.0M | B | 44% | #29 |
 Don't Worry Darling | 2022 | $19.4M | $45.3M | 2.30x | $87.6M | B | 70% | #35 |
 In Time | 2011 | $12.1M | $37.5M | 3.11x | $174.0M | B- | 36% | — |
 The Change-Up | 2011 | $13.5M | $37.2M | 2.80x | $76.0M | — | 26% | — |
 Rush | 2013 | $187K | $26.9M | 2.70x | $98.2M | — | 88% | — |
 Love the Coopers | 2015 | $8.3M | $26.3M | 3.20x | $44.3M | — | 19% | — |
 The Invite | 2026 | $379K | $26.1M | 4.40x | $43.9M | — | 96% | #44 |
 The Lazarus Effect | 2015 | $10.2M | $25.8M | 2.50x | $38.4M | — | 14% | — |
 Her | 2013 | $260K | $25.6M | 4.80x | $48.0M | — | 95% | — |
 Booksmart | 2019 | $6.9M | $22.7M | 3.30x | $24.9M | — | 96% | — |
 The Incredible Burt Wonderstone | 2013 | $10.2M | $22.5M | 2.20x | $27.4M | — | 37% | — |
 Richard Jewell | 2019 | $4.7M | $22.3M | 4.70x | $44.6M | — | 77% | — |
 The Next Three Days | 2010 | $6.5M | $21.1M | 3.20x | $67.3M | — | 50% | — |
 The Words | 2012 | $4.8M | $11.5M | 2.40x | $16.4M | — | 24% | — |
 I Want Your Sex | 2026 | $600K | $1.4M | 2.40x | $1.4M | — | 89% | #117 |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.1 years
Profitability
Return on budget
2.0x
$1.32B worldwide on $663.0M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $596.7MInternational $725.4M
Return by film
Worldwide ÷ budget0x2.5x breakeven7.7x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
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