

Actor
Rosamund PikeFollow
17 films•2002–2026•Action · Thriller · Drama
Avg critics61%
Avg audience63%
Avg domestic$50.0M
Domestic
$799.8M
Lifetime
Worldwide
$2.26B
Lifetime
Avg opening
$13.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Gone Girl | 2014 | $37.5M | $167.8M | 4.47x | $367.1M | A- | 87% | #18 |
Die Another Day | 2002 | $47.1M | $160.9M | 3.42x | $431.9M | A- | 55% | #11 |
Wrath of the Titans | 2012 | $33.5M | $83.7M | 2.50x | $302.0M | B+ | 26% | #36 |
Jack Reacher | 2012 | $15.2M | $80.1M | 5.26x | $218.0M | A- | 64% | #37 |
Now You See Me: Now You Don't | 2025 | $21.0M | $61.9M | 2.90x | $245.6M | B+ | 60% | #36 |
Fracture | 2007 | $11.0M | $39.0M | 3.50x | $89.2M | — | 72% | — |
Surrogates | 2009 | $14.9M | $38.6M | 2.59x | $122.0M | C | 37% | — |
Pride & Prejudice | 2005 | $2.9M | $38.6M | 6.30x | $120.0M | A- | 87% | — |
Hostiles | 2017 | $23K | $29.8M | 2.90x | $37.0M | — | 71% | — |
Doom | 2005 | $15.5M | $28.2M | 1.80x | $58.8M | — | 18% | — |
The World's End | 2013 | $8.8M | $26.0M | 3.00x | $47.1M | — | 89% | — |
An Education | 2009 | $159K | $12.6M | 13.8x | $29.7M | — | 94% | — |
Saltburn | 2023 | $323K | $11.4M | 6.10x | $21.0M | — | 72% | — |
Johnny English Reborn | 2011 | $3.8M | $8.3M | 2.17x | $160.0M | B | 40% | — |
The Big Year | 2011 | $3.3M | $7.2M | 2.20x | $7.7M | — | 41% | — |
In the Grey | 2026 | $2.9M | $5.7M | 2.00x | $5.7M | B | 47% | #83 |
I Care a Lot | 2021 | — | — | — | $1.2M | — | 79% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.5 years
Profitability
Return on budget
2.4x
$2.15B worldwide on $904.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $749.4MInternational $1.40B
Return by film
Worldwide ÷ budget0x2.5x breakeven6.0x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.

















