Studio
Focus FeaturesFollow
91 films•2000–2026•Drama · Comedy · Romance
Avg critics77%
Avg audience74%
Avg domestic$29.1M
Domestic
$2.65B
Lifetime
Worldwide
$6.00B
Lifetime
Avg opening
$5.4M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Obsession | 2026 | $17.2M | $263.5M | 15.3x | $516.8M | A- | 96% | #7 |
| Downton Abbey | 2019 | $31.0M | $96.9M | 3.10x | $194.7M | A | 84% | #32 |
| Nosferatu | 2024 | $21.7M | $95.6M | 4.40x | $181.0M | A | 87% | #25 |
| Brokeback Mountain | 2005 | $5.8M | $83.0M | 14.3x | $178.0M | — | 88% | #23 |
 Coraline | 2009 | $16.8M | $75.3M | 4.47x | $127.0M | — | 91% | #43 |
 London Has Fallen | 2016 | $21.6M | $62.5M | 2.90x | $195.2M | — | 28% | — |
 Burn After Reading | 2008 | $19.1M | $60.4M | 3.16x | $164.0M | — | 78% | — |
 ParaNorman | 2012 | $14.1M | $57.1M | 4.10x | $109.2M | — | 89% | — |
 Darkest Hour | 2017 | $175K | $56.5M | 14.5x | $149.0M | A- | 85% | #50 |
 The Strangers | 2008 | $21.0M | $52.6M | 2.50x | $83.1M | — | 50% | — |
 Atomic Blonde | 2017 | $18.3M | $51.6M | 2.80x | $98.3M | — | 79% | — |
 The Boxtrolls | 2014 | $17.3M | $50.8M | 2.90x | $111.9M | — | 78% | — |
 Atonement | 2007 | $4.6M | $50.6M | 10.0x | $129.0M | — | 83% | #49 |
 BlacKkKlansman | 2018 | $10.8M | $49.3M | 4.50x | $93.4M | A- | 96% | — |
 Kubo and the Two Strings | 2016 | $12.6M | $48.0M | 3.80x | $77.5M | — | 0% | — |
 Moonrise Kingdom | 2012 | $523K | $45.5M | 9.20x | $68.8M | — | 93% | — |
 Downton Abbey: The Grand Finale | 2025 | $18.1M | $45.2M | 2.50x | $103.8M | A | 91% | #45 |
 Lost in Translation | 2003 | $925K | $44.6M | 10.7x | $119.0M | — | 95% | — |
 Downton Abbey: A New Era | 2022 | $16.0M | $44.1M | 2.80x | $92.7M | A | 84% | #36 |
 Harriet | 2019 | $11.7M | $43.1M | 3.70x | $44.0M | — | 74% | — |
 Hanna | 2011 | $12.4M | $40.3M | 3.30x | $65.3M | — | 71% | — |
 Song Sung Blue | 2025 | $7.1M | $39.2M | 5.50x | $58.2M | — | 77% | — |
 Pride & Prejudice | 2005 | $2.9M | $38.6M | 6.30x | $120.0M | A- | 87% | — |
 The Theory of Everything | 2014 | $209K | $35.9M | 7.20x | $123.0M | — | 81% | — |
 The American | 2010 | $13.2M | $35.6M | 2.70x | $68.0M | — | 64% | — |
 Eternal Sunshine of the Spotless Mind | 2004 | $8.2M | $34.5M | 4.20x | $72.2M | — | 93% | — |
 The Northman | 2022 | $12.3M | $34.2M | 2.80x | $70.0M | A | 89% | #40 |
 The Constant Gardener | 2005 | $8.7M | $33.6M | 3.90x | $86.3M | — | 83% | — |
 Balls of Fury | 2007 | $11.4M | $32.9M | 2.90x | $41.8M | — | 22% | — |
 Conclave | 2024 | $6.6M | $32.6M | 4.90x | $128.0M | A- | 93% | #46 |
 The Pianist | 2002 | $2.5M | $32.5M | 13.2x | $111.9M | — | 95% | — |
 Milk | 2008 | $1.5M | $31.8M | 12.3x | $57.3M | — | 93% | — |
 9 | 2009 | $10.7M | $31.7M | 3.00x | $48.6M | — | 57% | — |
 The Debt | 2011 | $9.9M | $31.2M | 3.10x | $46.6M | — | 77% | — |
 Asteroid City | 2023 | $853K | $28.2M | 3.10x | $54.0M | — | 76% | — |
 Dallas Buyers Club | 2013 | $261K | $27.3M | 10.2x | $60.6M | — | 92% | — |
 The World's End | 2013 | $8.8M | $26.0M | 3.00x | $47.1M | — | 89% | — |
 On the Basis of Sex | 2018 | $686K | $24.7M | 4.10x | $38.8M | — | 72% | — |
 Hamnet | 2025 | $932K | $24.2M | 10.5x | $108.0M | — | 87% | — |
 Tinker Tailor Soldier Spy | 2011 | $311K | $24.1M | 4.40x | $81.4M | — | 84% | — |
 Hot Fuzz | 2007 | $5.8M | $23.6M | 4.00x | $80.5M | — | 91% | — |
 Victoria & Abdul | 2017 | $159K | $22.2M | 5.30x | $68.3M | — | 65% | — |
 Billy Elliot | 2000 | $216K | $22.0M | 102.0x | $109.0M | A- | 85% | — |
 The Bikeriders | 2024 | $9.7M | $21.7M | 2.20x | $36.3M | — | 79% | — |
 Black Bag | 2025 | $7.6M | $21.5M | 2.80x | $43.9M | B | 96% | — |
 The Place Beyond the Pines | 2012 | $279K | $21.4M | 4.40x | $47.0M | — | 79% | — |
 Phantom Thread | 2017 | $216K | $21.2M | 6.50x | $47.5M | — | 91% | — |
 Last Breath | 2025 | $7.9M | $21.1M | 2.70x | $23.5M | — | 78% | — |
 The Kids Are All Right | 2010 | $492K | $20.8M | 5.90x | $36.3M | — | 93% | — |
 The Holdovers | 2023 | $211K | $20.4M | 6.30x | $46.1M | A | 97% | — |
 The Phoenician Scheme | 2025 | $560K | $19.6M | 3.10x | $40.6M | B- | 77% | — |
 The Eagle | 2011 | $8.7M | $19.5M | 2.20x | $39.0M | — | 39% | — |
 Bugonia | 2025 | $710K | $17.7M | 3.50x | $43.7M | B | 88% | — |
 Eastern Promises | 2007 | $547K | $17.2M | 3.00x | $56.1M | — | 89% | — |
 The Motorcycle Diaries | 2004 | $160K | $16.8M | 9.60x | $55.0M | — | 0% | — |
 Mary Queen of Scots | 2018 | $195K | $16.6M | 7.30x | $48.5M | — | 62% | — |
 21 Grams | 2003 | $274K | $16.2M | 12.1x | $59.7M | — | 80% | — |
 Far from Heaven | 2002 | $211K | $15.9M | 9.70x | $29.0M | — | 87% | — |
 Pressure | 2026 | $5.8M | $15.6M | 2.70x | $15.6M | A | 86% | #63 |
 Stillwater | 2021 | $5.2M | $14.5M | 2.80x | $17.2M | — | 75% | — |
 One Day | 2011 | $5.1M | $13.8M | 2.70x | $59.2M | — | 36% | — |
 Broken Flowers | 2005 | $780K | $13.7M | 5.80x | $40.7M | — | 87% | — |
 Anna Karenina | 2012 | $321K | $12.8M | 5.70x | $71.0M | — | 63% | — |
 Self/less | 2015 | $5.4M | $12.3M | 2.30x | $33.7M | — | 18% | — |
 Jane Eyre | 2011 | $183K | $11.2M | 9.30x | $34.0M | — | 85% | — |
 Dark Waters | 2019 | $103K | $11.1M | 2.80x | $23.1M | — | 89% | — |
 The Danish Girl | 2015 | $187K | $11.1M | 7.20x | $67.5M | — | 66% | — |
 Nocturnal Animals | 2016 | $493K | $10.7M | 3.40x | $32.4M | — | 74% | — |
 The Beguiled | 2017 | $229K | $10.6M | 3.40x | $28.0M | — | 79% | — |
 Last Night in Soho | 2021 | $4.2M | $10.1M | 2.40x | $22.6M | — | 75% | — |
 Emma. | 2020 | $234K | $10.1M | 2.10x | $27.4M | — | 86% | — |
 Swimming Pool | 2003 | $287K | $10.1M | 35.3x | $24.0M | — | 84% | — |
 Away We Go | 2009 | $130K | $9.5M | 5.60x | $10.1M | — | 67% | — |
 Tully | 2018 | $3.3M | $9.4M | 2.90x | $16.0M | — | 0% | — |
 Belfast | 2021 | $1.8M | $9.3M | 5.20x | $49.5M | — | 86% | — |
 A Serious Man | 2009 | $251K | $9.2M | — | $30.4M | — | 89% | — |
 Bad Words | 2014 | $113K | $7.8M | 3.00x | — | — | 66% | — |
 In Bruges | 2008 | $457K | $7.8M | 8.00x | $34.5M | — | 84% | — |
 Seeking a Friend for the End of the World | 2012 | $3.8M | $7.1M | 1.90x | $11.8M | — | 54% | — |
 Tár | 2022 | $159K | $6.8M | 6.50x | $29.3M | — | 91% | — |
 The Dead Don't Die | 2019 | $2.5M | $6.8M | 2.70x | $15.7M | — | 55% | — |
 The Uprising | 2026 | $3.3M | $6.5M | 2.00x | $6.7M | B- | 51% | #81 |
 Promising Young Woman | 2020 | $719K | $6.5M | 9.00x | $18.9M | — | 90% | — |
 It's Kind of a Funny Story | 2010 | $2.0M | $6.4M | 3.20x | $6.6M | — | 58% | — |
 Captive State | 2019 | $3.1M | $6.0M | 1.90x | $9.4M | — | 42% | — |
 Beginners | 2011 | $141K | $5.8M | — | $14.3M | — | 86% | — |
 In the Mood for Love | 2000 | $113K | $3.6M | — | $14.0M | — | 92% | — |
 Girls Like Girls | 2026 | $1.6M | $2.7M | 1.80x | $2.7M | — | 86% | #103 |
 Finding Emily | 2026 | $680K | $1.5M | 2.20x | $3.0M | — | 88% | #114 |
 Lorne | 2026 | $270K | $449K | 1.70x | $0.4M | — | 68% | #142 |
 Hot Spot | 2026 | $250K | $256K | 1.00x | $0.3M | — | 19% | #150 |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
3.1x
$5.26B worldwide on $1.67B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.32BInternational $2.94B
Return by film
Worldwide ÷ budget0x2.5x breakeven34.5x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest grossers never #1Obsession$263.5M#3Biggest horror filmsObsession$263.5M#6Biggest Labor Day openingsThe American$16.7M#8Biggest Labor Day openingsBalls of Fury$14.1M#8Longest runs of $1M+ daysObsession—#12Biggest Labor Day openingsThe Debt$12.9M#15Biggest Labor Day openingsThe Constant Gardener$11.0M
Top 7 of 9 placings across 6 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
Connected
Directors
Series
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
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