Director
Sam RaimiFollow
15 films•1981–2026•Horror · Action · Drama
Avg critics76%
Avg audience71%
Avg domestic$133.8M
Domestic
$2.01B
Lifetime
Worldwide
$4.30B
Lifetime
Avg opening
$45.9M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Doctor Strange in the Multiverse of Madness | 2022 | $187.4M | $411.3M | 2.20x | $955.8M | A | 74% | #4 |
 Spider-Man | 2002 | $115.0M | $405.9M | 3.53x | $823.9M | A- | 90% | #1 |
 Spider-Man 2 | 2004 | $88.2M | $375.8M | 4.26x | $797.0M | A- | 93% | #2 |
 Spider-Man 3 | 2007 | $151.0M | $338.0M | 2.24x | $896.3M | B+ | 62% | #1 |
 Oz the Great and Powerful | 2013 | $79.1M | $235.0M | 2.97x | $493.0M | B+ | 56% | #10 |
 Send Help | 2026 | $19.1M | $64.7M | 3.40x | $94.0M | B+ | 93% | #26 |
 Drag Me to Hell | 2009 | $15.8M | $42.1M | 2.70x | $91.4M | — | 92% | — |
 For Love of the Game | 1999 | $13.0M | $35.2M | 2.70x | $46.1M | B+ | 47% | — |
 Darkman | 1990 | $8.1M | $32.9M | 4.10x | — | C+ | 80% | — |
 The Quick and the Dead | 1995 | $6.5M | $18.6M | 2.80x | — | — | 62% | — |
 A Simple Plan | 1998 | $391K | $16.3M | 4.80x | — | — | 91% | — |
 The Gift | 2000 | $12K | $12.0M | 3.50x | $44.6M | — | 57% | — |
 Army of Darkness | 1992 | $4.4M | $11.5M | 2.60x | $21.5M | — | 68% | — |
 Evil Dead II | 1987 | $807K | $5.9M | 7.30x | $5.9M | — | 88% | — |
 The Evil Dead | 1981 | — | $2.4M | — | $29.4M | — | 85% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 3.2 years
Profitability
Return on budget
3.7x
$4.30B worldwide on $1.16B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.94BInternational $2.36B
Return by film
Worldwide ÷ budget0x2.5x breakeven11.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest May openingsDoctor Strange in the Multiverse of Madness$187.4M#5Biggest July 4th openingsSpider-Man 2$88.2M#6Biggest May openingsSpider-Man 3$151.1M#8Best second-weekend holds ($100M+ openers)Spider-Man−37.8%#10Biggest single daysDoctor Strange in the Multiverse of Madness$90.7M#11Biggest PG-13 openingsDoctor Strange in the Multiverse of Madness$187.4M#11Biggest March openingsOz the Great and Powerful$79.1M#14Biggest May openingsSpider-Man$114.8M#18Biggest superhero filmsSpider-Man$405.9M#20Biggest July openingsSpider-Man 2$88.2M
Top 10 of 15 placings across 11 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
Week 31 · RecapBrand New Day takes the all-time record with $360M; The Odyssey holds at $51MJuly 31–August 2, 2026Long-Range · August 2026August 2026 preview: Spiders, Sequels and a Long TailJuly 20, 2026
Special Coverage · Summer 2026Summer 2026 Recap: the hits, the flops, the breakouts, and the winners and losers of the seasonAugust 20, 2026
