Director
Tony ScottFollow
14 films•1986–2010•Action · Crime · Drama
Avg critics57%
Avg audience70%
Avg domestic$76.6M
Domestic
$1.07B
Lifetime
Worldwide
$2.15B
Lifetime
Avg opening
$15.9M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Top Gun | 1986 | $8.2M | $180.5M | — | $357.5M | — | 57% | — |
 Beverly Hills Cop II | 1987 | $26.3M | $153.7M | 5.80x | $300.0M | — | 48% | — |
 Enemy of the State | 1998 | $20.0M | $111.5M | 5.60x | $250.6M | — | 71% | — |
 Crimson Tide | 1995 | $18.6M | $91.4M | 4.90x | $159.4M | A | 89% | — |
 Days of Thunder | 1990 | $15.5M | $82.7M | 5.30x | $157.7M | A | 38% | — |
 Unstoppable | 2010 | $22.7M | $81.6M | 3.59x | $168.0M | A- | 87% | #41 |
 Man on Fire | 2004 | $22.8M | $77.9M | 3.42x | $131.0M | A- | 39% | #33 |
 The Taking of Pelham 123 | 2009 | $23.4M | $65.5M | 2.80x | $150.0M | B+ | 51% | — |
 Deja Vu | 2006 | $20.6M | $64.0M | 3.11x | $181.0M | — | 55% | #42 |
 Spy Game | 2001 | $21.7M | $62.4M | 2.88x | $143.0M | B+ | 64% | #38 |
 The Last Boy Scout | 1991 | $7.9M | $59.5M | 7.50x | $114.5M | B+ | 48% | — |
 The Fan | 1996 | $6.3M | $18.6M | 3.00x | — | — | 42% | — |
 True Romance | 1993 | $4.0M | $12.3M | 3.10x | $12.6M | — | 93% | — |
 Domino | 2005 | $4.7M | $10.2M | 2.20x | $23.6M | — | 18% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$100M$200M$300M
DomesticInternationalColumn height is worldwide · one film every 1.8 years
Profitability
Return on budget
2.7x
$2.03B worldwide on $757.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $993.7MInternational $1.04B
Return by film
Worldwide ÷ budget0x2.5x breakeven23.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records1 placing across 1 all-time chart. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.