Studio
A24Follow
74 films•2013–2026•Drama · Horror · Thriller
Avg critics85%
Avg audience74%
Avg domestic$20.4M
Domestic
$1.51B
Lifetime
Worldwide
$2.77B
Lifetime
Avg opening
$4.1M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
| Backrooms | 2026 | $81.4M | $197.5M | 2.40x | $400.1M | B- | 89% | #9 |
| Marty Supreme | 2025 | $875K | $96.0M | 5.40x | $179.0M | B+ | 93% | #22 |
| Everything Everywhere All at Once | 2022 | $501K | $77.2M | 12.7x | $145.0M | A | 95% | #25 |
| Civil War | 2024 | $25.5M | $68.8M | 2.70x | $127.3M | B+ | 93% | #32 |
 Uncut Gems | 2019 | $537K | $50.0M | 5.20x | $50.0M | — | 91% | — |
 Lady Bird | 2017 | $364K | $49.0M | 12.1x | $80.1M | — | 99% | — |
 Talk to Me | 2023 | $10.4M | $48.3M | 4.60x | $92.2M | B+ | 94% | #51 |
 The Drama | 2026 | $14.4M | $48.1M | 3.30x | $105.1M | B | 77% | #33 |
 Hereditary | 2018 | $13.6M | $44.1M | 3.20x | $80.9M | D+ | 90% | — |
 Primetime | 2026 | $18.8M | $41.5M | 2.20x | $42.0M | B | 87% | #35 |
 Materialists | 2025 | $11.3M | $36.5M | 3.23x | $108.0M | B | 78% | #51 |
 The Iron Claw | 2023 | $4.9M | $35.6M | 7.30x | $46.1M | — | 89% | — |
 Babygirl | 2024 | $4.5M | $28.2M | 6.30x | $63.7M | B- | 76% | #51 |
 Moonlight | 2016 | $402K | $27.9M | 18.7x | $64.8M | — | 98% | — |
 Heretic | 2024 | $10.8M | $27.7M | 2.60x | $58.1M | — | 89% | — |
 Midsommar | 2019 | $6.6M | $27.4M | 4.20x | $46.7M | — | 83% | — |
 The Invite | 2026 | $379K | $26.1M | 4.40x | $43.9M | — | 96% | #44 |
 Warfare | 2025 | $8.3M | $25.8M | 3.10x | $33.2M | — | 92% | — |
 Ex Machina | 2015 | $237K | $25.4M | 4.80x | $38.3M | N/A | 92% | — |
 The Witch | 2015 | $8.8M | $25.1M | 2.90x | $40.4M | — | 91% | — |
 We Live in Time | 2024 | $233K | $24.7M | 5.90x | $57.1M | — | 79% | — |
 The Disaster Artist | 2017 | $1.2M | $21.1M | 3.30x | $28.7M | — | 90% | — |
 Priscilla | 2023 | $132K | $20.9M | 4.10x | $31.0M | — | 84% | — |
 Undertone | 2026 | $9.3M | $20.0M | 2.10x | $20.0M | C | 74% | #53 |
 Bring Her Back | 2025 | $7.1M | $19.3M | 2.70x | $39.1M | B+ | 89% | — |
 The Farewell | 2019 | $351K | $17.7M | 7.30x | $25.5M | — | 97% | — |
 The Whale | 2022 | $332K | $17.5M | 16.9x | $54.0M | A- | 85% | #48 |
 The Green Knight | 2021 | $6.8M | $17.1M | 2.50x | $20.0M | B | 90% | #47 |
 Eternity | 2025 | $3.2M | $16.2M | 5.10x | $22.8M | — | 76% | — |
 The Brutalist | 2024 | $267K | $16.2M | 6.10x | $51.3M | — | 93% | — |
 Tony | 2026 | $349K | $15.5M | 3.10x | $19.4M | — | 94% | #64 |
 MaXXXine | 2024 | $6.7M | $15.1M | 2.30x | $22.1M | — | 73% | — |
 Room | 2015 | $118K | $14.7M | 11.0x | $36.3M | — | 93% | — |
 Spring Breakers | 2013 | $263K | $14.1M | 2.90x | $31.1M | — | 67% | — |
 It Comes at Night | 2017 | $6.0M | $14.0M | 2.30x | $19.7M | — | 88% | — |
 Eighth Grade | 2018 | $264K | $13.5M | 4.70x | $14.3M | — | 99% | — |
 Death of a Unicorn | 2025 | $5.8M | $12.5M | 2.20x | $16.0M | — | 52% | — |
 X | 2022 | $4.3M | $11.8M | 2.80x | $15.1M | — | 94% | — |
 The Smashing Machine | 2025 | $5.8M | $11.4M | 2.00x | $20.4M | — | 71% | — |
 Bodies Bodies Bodies | 2022 | $227K | $11.4M | 3.70x | $14.0M | — | 85% | — |
 Past Lives | 2023 | $232K | $11.0M | 6.60x | $42.9M | — | 95% | — |
 The Lighthouse | 2019 | $428K | $10.9M | 3.60x | $18.3M | — | 90% | — |
 Eddington | 2025 | $4.4M | $10.1M | 2.30x | $13.2M | — | 69% | — |
 Pearl | 2022 | $3.1M | $9.4M | 3.00x | $10.1M | — | 93% | — |
 The Lobster | 2015 | $50K | $9.2M | 6.30x | $18.0M | — | 87% | — |
 The Zone of Interest | 2023 | $130K | $8.6M | — | $52.5M | — | 93% | — |
 Beau Is Afraid | 2023 | $320K | $8.2M | 3.10x | $11.2M | — | 67% | — |
 How to Make a Killing | 2026 | $3.5M | $7.9M | 2.30x | $21.7M | — | 45% | — |
 Love Lies Bleeding | 2024 | $151K | $7.8M | 3.10x | $12.3M | — | 94% | — |
 Men | 2022 | $3.3M | $7.6M | 2.30x | $12.0M | — | 69% | — |
 mid90s | 2018 | $258K | $7.4M | 2.50x | $9.2M | — | 81% | — |
 The Spectacular Now | 2013 | $197K | $6.9M | 9.80x | — | — | 92% | — |
 Marcel the Shell with Shoes On | 2021 | $159K | $6.3M | 7.20x | $7.1M | — | 98% | — |
 The Florida Project | 2017 | $157K | $5.9M | 9.30x | $11.2M | — | 96% | — |
 The Bling Ring | 2013 | $214K | $5.8M | 2.90x | $12.4M | — | 59% | — |
 Dream Scenario | 2023 | $220K | $5.7M | 3.40x | $12.5M | — | 91% | — |
 20th Century Women | 2016 | $111K | $5.7M | 4.10x | $9.4M | — | 88% | — |
 A Most Violent Year | 2014 | $173K | $5.7M | 3.80x | $8.9M | — | 89% | — |
 I Saw the TV Glow | 2024 | $119K | $4.9M | 4.90x | $5.4M | — | 85% | — |
 Swiss Army Man | 2016 | $105K | $4.2M | 3.00x | $5.8M | — | 73% | — |
 Onslaught | 2026 | $1.9M | $3.3M | 1.70x | $3.5M | C | 54% | #98 |
 Green Room | 2015 | $88K | $3.2M | 3.50x | $3.8M | — | 90% | — |
 Minari | 2020 | $194K | $3.1M | 16.1x | $15.3M | — | 98% | — |
 Sing Sing | 2023 | $137K | $3.0M | 12.0x | $5.4M | — | 97% | — |
 Mother Mary | 2026 | $168K | $2.6M | 2.10x | $2.6M | B- | 67% | #106 |
 Under the Skin | 2013 | $133K | $2.6M | 6.20x | $7.2M | — | 83% | — |
 The Killing of a Sacred Deer | 2017 | $115K | $2.3M | 5.00x | $10.7M | — | 79% | — |
 Good Time | 2017 | $125K | $2.0M | 3.50x | $4.1M | — | 91% | — |
 Aftersun | 2022 | $61K | $1.7M | 12.4x | $9.8M | — | 95% | — |
 Waves | 2019 | $134K | $1.7M | 4.00x | $2.7M | — | 84% | — |
 Locke | 2014 | $81K | $1.4M | 6.30x | $2.2M | — | 91% | — |
 Enemy | 2013 | $16K | $1.0M | 5.10x | $3.5M | — | 73% | — |
 Climax | 2018 | $147K | $817K | 4.20x | $1.9M | — | 69% | — |
 Misty Green | 2026 | $86K | $86K | 1.00x | $0.1M | — | 0% | #154 |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
3.5x
$2.29B worldwide on $660.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.24BInternational $1.04B
Return by film
Worldwide ÷ budget0x2.5x breakeven43.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#4Biggest horror openingsBackrooms$81.4M#7Biggest horror filmsBackrooms$197.5M#16Biggest R openingsBackrooms$81.4M
3 placings across 3 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
Week 39 · RecapEndgame Encore wins a $118M weekend with $26M; Resident Evil crosses $100MSeptember 25–27, 2026
Week 22 · RecapBackrooms smashes A24 record at $81.5M; Obsession grows again in its 3rd weekend; Mandalorian drops 69%May 29–31, 2026
Special Coverage · Summer 2026Summer 2026 Recap: the hits, the flops, the breakouts, and the winners and losers of the seasonAugust 20, 2026
