Actor & Director
Danny DeVitoFollow
28 films•5 as director•1975–2023•Comedy · Crime · Adventure
Avg critics64%
Avg audience64%
Avg domestic$83.0M
Domestic
$2.33B
Lifetime
Worldwide
$4.02B
Lifetime
Avg opening
$15.7M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Jumanji: The Next Level | 2019 | $59.3M | $316.8M | 5.35x | $792.5M | A- | 72% | #10 |
 The Lorax | 2012 | $70.2M | $214.0M | 3.05x | $349.0M | A | 54% | #11 |
 Batman Returns | 1992 | $45.7M | $163.0M | 3.60x | $267.0M | — | 81% | — |
 Migration | 2023 | $12.5M | $127.6M | 10.2x | $301.2M | — | 73% | — |
 Dumbo | 2019 | $46.0M | $114.8M | 2.50x | $353.2M | A- | 46% | #23 |
 Twins | 1988 | $11.2M | $111.9M | 10.0x | $216.6M | — | 44% | — |
 One Flew Over the Cuckoo's Nest | 1975 | $100K | $109.0M | 1092.4x | $163.3M | — | 92% | — |
 Terms of Endearment | 1983 | $3.5M | $108.4M | 25.5x | — | — | 81% | — |
 Hercules | 1997 | $250K | $99.1M | 4.60x | $250.7M | — | 83% | — |
 Space Jam | 1996 | $27.5M | $90.5M | 3.30x | $250.2M | — | 46% | — |
 The War of the Roses | 1989 | $9.7M | $83.7M | 8.60x | $157.0M | B | 84% | — |
 Romancing the Stone | 1984 | $5.1M | $75.1M | 14.7x | $115.1M | — | 86% | — |
 Get Shorty | 1995 | $12.7M | $72.0M | 5.70x | $115.0M | — | 89% | — |
 Ruthless People | 1986 | $5.3M | $71.6M | 13.6x | — | — | 93% | — |
 The Jewel of the Nile | 1985 | $6.6M | $68.3M | 10.3x | — | — | 50% | — |
 Haunted Mansion | 2023 | $24.1M | $67.7M | 2.80x | $117.5M | A | 47% | #36 |
 L.A. Confidential | 1997 | $5.2M | $64.6M | 12.4x | $126.2M | — | 99% | — |
 Throw Momma from the Train | 1987 | $7.3M | $53.4M | 7.30x | — | — | 65% | — |
 The Rainmaker | 1997 | $10.6M | $47.2M | 4.40x | — | — | 82% | — |
 Mars Attacks! | 1996 | $9.4M | $37.8M | 4.00x | $101.4M | — | 56% | — |
 Junior | 1994 | $9.8M | $36.8M | 3.80x | $108.4M | B+ | 37% | — |
 Deck the Halls | 2006 | $12.0M | $35.1M | 2.90x | $46.8M | — | 6% | — |
 Man on the Moon | 1999 | $7.5M | $34.6M | 4.60x | $47.4M | — | 64% | — |
 Matilda | 1996 | $8.2M | $33.1M | 4.00x | $33.1M | — | 89% | — |
 When in Rome | 2010 | $12.4M | $32.7M | 2.60x | $43.8M | — | 16% | — |
 Heist | 2001 | $7.8M | $23.5M | 3.00x | $28.9M | — | 66% | — |
 Hoffa | 1992 | $6.4M | $23.4M | 3.60x | $28.4M | — | 52% | — |
 Duplex | 2003 | $4.3M | $9.7M | 2.20x | $10.1M | — | 36% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 1.8 years
Profitability
Return on budget
2.9x
$3.71B worldwide on $1.29B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.78BInternational $1.92B
Return by film
Worldwide ÷ budget0x2.5x breakeven28.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#8Best multipliersJumanji: The Next Level5.35x#12Most weekends in the top 10Terms of Endearment22 weekends#16Biggest March openingsThe Lorax$70.2M#19Biggest December openingsJumanji: The Next Level$59.3M#20Most weeks at #1Terms of Endearment6 weeks
5 placings across 5 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.