Actor
Halle BerryFollow
20 films•1991–2026•Action · Thriller · Crime
Avg critics51%
Avg audience59%
Avg domestic$79.3M
Domestic
$1.59B
Lifetime
Worldwide
$3.38B
Lifetime
Avg opening
$23.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 X-Men: The Last Stand | 2006 | $103.0M | $234.4M | 2.28x | $459.3M | A- | 56% | #4 |
 John Wick: Chapter 3 - Parabellum | 2019 | $56.8M | $171.0M | 3.00x | $326.7M | A- | 89% | #14 |
 Die Another Day | 2002 | $47.1M | $160.9M | 3.42x | $431.9M | A- | 55% | #11 |
 X-Men | 2000 | $54.5M | $157.3M | 2.89x | $296.9M | A- | 82% | #8 |
 The Flintstones | 1994 | — | $130.5M | — | $358.5M | — | 23% | — |
 Robots | 2005 | $36.0M | $128.0M | 3.56x | $263.0M | A | 64% | #15 |
 Boomerang | 1992 | $13.6M | $70.1M | 5.10x | $131.1M | A- | 48% | — |
 Swordfish | 2001 | $18.1M | $69.8M | 3.85x | $147.0M | B | 27% | #35 |
 Gothika | 2003 | $19.3M | $59.7M | 3.09x | $142.0M | B | 15% | — |
 The Last Boy Scout | 1991 | $7.9M | $59.5M | 7.50x | $114.5M | B+ | 48% | — |
 Executive Decision | 1996 | $12.1M | $56.7M | 4.70x | $122.1M | A- | 63% | — |
 The Call | 2013 | $17.1M | $51.9M | 3.00x | $69.8M | B+ | 44% | — |
 Catwoman | 2004 | $16.7M | $40.2M | 2.40x | $82.1M | B | 8% | — |
 Crime 101 | 2026 | $14.3M | $36.6M | 2.60x | $72.9M | B | 88% | #37 |
 Monster's Ball | 2001 | $2.3M | $31.3M | 13.5x | $45.0M | — | 85% | — |
 Kidnap | 2017 | $10.0M | $30.7M | 3.10x | $34.8M | — | 34% | — |
 Cloud Atlas | 2012 | $9.6M | $27.1M | 2.80x | $130.7M | — | 65% | — |
 Bulworth | 1998 | $142K | $26.5M | 5.50x | $29.2M | — | 76% | — |
 Perfect Stranger | 2007 | $11.2M | $23.8M | 2.10x | $62.5M | — | 9% | — |
 Moonfall | 2022 | $9.9M | $19.1M | 1.90x | $59.1M | — | 35% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.8 years
Profitability
Return on budget
2.4x
$3.20B worldwide on $1.34B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.50BInternational $1.70B
Return by film
Worldwide ÷ budget0x2.5x breakeven11.2x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#5Biggest Memorial Day openingsX-Men: The Last Stand$122.9M#18Biggest May openingsX-Men: The Last Stand$102.8M
2 placings across 2 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.