Actor
Johnny DeppFollow
42 films•1984–2018•Drama · Adventure · Comedy
Avg critics61%
Avg audience67%
Avg domestic$90.0M
Domestic
$3.78B
Lifetime
Worldwide
$10.45B
Lifetime
Avg opening
$26.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Pirates of the Caribbean: Dead Man's Chest | 2006 | $136.0M | $423.3M | 3.11x | $1.06B | A- | 53% | #1 |
 Alice in Wonderland | 2010 | $116.0M | $334.2M | 2.88x | $1.03B | A- | 51% | #2 |
 Pirates of the Caribbean: At World's End | 2007 | $115.0M | $309.4M | 2.69x | $959.7M | A- | 43% | #4 |
 Pirates of the Caribbean: The Curse of the Black Pearl | 2003 | $46.6M | $305.4M | 6.55x | $654.3M | A | 79% | #3 |
 Pirates of the Caribbean: On Stranger Tides | 2011 | $90.2M | $241.1M | 2.67x | $1.05B | B+ | 32% | #5 |
 Charlie and the Chocolate Factory | 2005 | $56.2M | $206.0M | 3.68x | $475.0M | A- | 83% | #7 |
 Pirates of the Caribbean: Dead Men Tell No Tales | 2017 | $63.0M | $172.6M | 2.74x | $794.9M | A- | 38% | #19 |
 Fantastic Beasts: The Crimes of Grindelwald | 2018 | $62.2M | $159.6M | 2.57x | $655.8M | B+ | 36% | #21 |
 Into the Woods | 2014 | $31.1M | $128.0M | 4.12x | $212.4M | B | 71% | #23 |
 Rango | 2011 | $38.1M | $123.0M | 3.24x | $246.0M | C+ | 88% | #22 |
 Murder on the Orient Express | 2017 | $28.7M | $102.8M | 3.58x | $351.8M | A- | 59% | #31 |
 Sleepy Hollow | 1999 | $30.1M | $101.1M | 3.40x | $207.1M | — | 71% | — |
 Public Enemies | 2009 | $25.3M | $97.1M | 3.84x | $214.0M | B | 68% | #33 |
 The Lone Ranger | 2013 | $29.2M | $89.3M | 3.06x | $261.0M | B+ | 31% | #40 |
 Dark Shadows | 2012 | $29.7M | $79.7M | 2.69x | $246.0M | B- | 35% | #38 |
 Alice Through the Looking Glass | 2016 | $26.9M | $77.0M | 2.87x | $276.9M | A- | 29% | #39 |
 Chocolat | 2000 | $3.4M | $71.5M | 23.1x | $153.0M | A | 63% | #31 |
 The Tourist | 2010 | $16.5M | $67.6M | 4.11x | $279.0M | B | 21% | #47 |
 Black Mass | 2015 | $22.6M | $62.6M | 2.76x | $100.0M | A- | 73% | #46 |
 Once Upon a Time in Mexico | 2003 | $23.4M | $56.3M | 2.40x | $97.4M | — | 66% | — |
 Edward Scissorhands | 1990 | $160K | $54.0M | 338.2x | — | — | 92% | — |
 Corpse Bride | 2005 | $19.1M | $53.4M | 2.79x | $117.0M | B+ | 85% | — |
 Blow | 2001 | $12.4M | $53.0M | 4.26x | $83.3M | A- | 56% | #47 |
 Sweeney Todd: The Demon Barber of Fleet Street | 2007 | $9.3M | $52.9M | 5.69x | $153.0M | — | 86% | #48 |
 Finding Neverland | 2004 | $221K | $51.7M | 11.1x | $117.0M | A | 83% | — |
 Secret Window | 2004 | $18.2M | $48.0M | 2.60x | $92.1M | — | 46% | — |
 Donnie Brasco | 1997 | $11.7M | $42.0M | 3.60x | $65.3M | — | 88% | — |
 From Hell | 2001 | $11.0M | $31.6M | 2.90x | $68.7M | — | 57% | — |
 A Nightmare on Elm Street | 1984 | $1.3M | $25.8M | 20.3x | $27.9M | — | 94% | — |
 Benny & Joon | 1993 | $3.3M | $23.2M | 6.10x | — | — | 75% | — |
 Transcendence | 2014 | $10.9M | $23.0M | 2.10x | $103.0M | — | 19% | — |
 Don Juan DeMarco | 1995 | $4.6M | $22.0M | 4.80x | $68.7M | — | 70% | — |
 The Ninth Gate | 1999 | $6.6M | $18.7M | 2.80x | $58.4M | — | 44% | — |
 The Rum Diary | 2011 | $5.1M | $13.1M | 2.60x | $21.5M | — | 52% | — |
 The Astronaut's Wife | 1999 | $4.0M | $10.7M | 2.70x | $19.6M | — | 0% | — |
 Fear and Loathing in Las Vegas | 1998 | $3.3M | $10.7M | 3.20x | $13.7M | — | 50% | — |
 What's Eating Gilbert Grape | 1993 | $74K | $10.0M | 4.80x | $10.0M | — | 90% | — |
 Mortdecai | 2015 | $4.2M | $7.7M | 1.80x | $37.4M | — | 12% | — |
 The Imaginarium of Doctor Parnassus | 2009 | $334K | $7.7M | 4.40x | $64.4M | — | 63% | — |
 Cry-Baby | 1990 | $3.0M | $7.7M | 2.60x | — | — | 72% | — |
 Ed Wood | 1994 | $72K | $5.9M | 3.10x | $5.9M | — | 92% | — |
 Dead Man | 1995 | $105K | $1.0M | 7.30x | $1.1M | — | 69% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$500M$1B
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on budget
3.0x
$10.45B worldwide on $3.51B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $3.70BInternational $6.76B
Return by film
Worldwide ÷ budget0x2.5x breakeven12.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest Memorial Day openingsPirates of the Caribbean: At World's End$139.8M#6Biggest March openingsAlice in Wonderland$116.1M#9Biggest July openingsPirates of the Caribbean: Dead Man's Chest$135.6M#14Best second-weekend holds ($100M+ openers)Alice in Wonderland−46.0%#15Biggest May openingsPirates of the Caribbean: At World's End$114.7M#15Biggest Christmas openingsInto the Woods$31.1M#16Biggest PG openingsAlice in Wonderland$116.1M#18Biggest Memorial Day openingsPirates of the Caribbean: Dead Men Tell No Tales$78.5M#45Biggest domestic runsPirates of the Caribbean: Dead Man's Chest$423.3M#45Biggest opening weekendsPirates of the Caribbean: Dead Man's Chest$135.6M
Top 10 of 11 placings across 10 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.
