Actor
Michael PeñaFollow
23 films•2005–2026•Action · Drama · Crime
Avg critics57%
Avg audience69%
Avg domestic$67.5M
Domestic
$1.55B
Lifetime
Worldwide
$3.72B
Lifetime
Avg opening
$20.4M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Martian | 2015 | $54.3M | $228.4M | 4.21x | $653.6M | A+ | 91% | #9 |
 Ant-Man and the Wasp | 2018 | $75.8M | $216.6M | 2.86x | $623.1M | A | 87% | #11 |
 Ant-Man | 2015 | $57.2M | $180.2M | 3.15x | $518.9M | A | 83% | #15 |
 The Mule | 2018 | $17.5M | $103.8M | 5.88x | $102.2M | A− | 70% | #32 |
 Fury | 2014 | $23.8M | $85.8M | 3.61x | $210.2M | A- | 76% | #39 |
 Battle Los Angeles | 2011 | $35.6M | $83.6M | 2.35x | $212.0M | B | 37% | #36 |
 Turbo | 2013 | $21.3M | $83.0M | 3.90x | $283.0M | A+ | 68% | #44 |
 Dora and the Lost City of Gold | 2019 | $17.4M | $60.5M | 3.48x | $120.6M | A | 85% | #48 |
 The Lincoln Lawyer | 2011 | $13.2M | $58.0M | 4.40x | $87.1M | — | 83% | — |
 Crash | 2005 | $9.1M | $54.6M | 5.99x | $101.0M | A- | 73% | #50 |
 Shooter | 2007 | $14.5M | $47.0M | 3.20x | $95.5M | — | 47% | — |
 Tom & Jerry | 2021 | $14.1M | $46.5M | 3.30x | $136.0M | B | 31% | #29 |
 12 Strong | 2018 | $15.8M | $45.8M | 2.90x | $71.1M | — | 50% | — |
 End of Watch | 2012 | $13.2M | $41.0M | 3.10x | $57.6M | — | 85% | — |
 30 Minutes or Less | 2011 | $13.3M | $37.1M | 2.80x | $41.1M | — | 45% | — |
 A Working Man | 2025 | $15.5M | $37.0M | 2.39x | $89.0M | B | 51% | #50 |
 Collateral Beauty | 2016 | $7.1M | $31.0M | 4.40x | $88.5M | — | 14% | — |
 Fantasy Island | 2020 | $12.3M | $27.4M | 2.20x | $49.0M | B- | 9% | #13 |
 Observe and Report | 2009 | $11.0M | $24.0M | 2.20x | $27.1M | — | 51% | — |
 Moonfall | 2022 | $9.9M | $19.1M | 1.90x | $59.1M | — | 35% | — |
 CHIPS | 2017 | $7.7M | $18.6M | 2.40x | $26.8M | — | 20% | — |
 Lions for Lambs | 2007 | $6.7M | $15.0M | 2.20x | $63.2M | — | 28% | — |
 Good Luck, Have Fun, Don't Die | 2026 | $3.6M | $8.4M | 2.30x | $9.2M | — | 82% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.0 years
Profitability
Return on budget
2.7x
$3.72B worldwide on $1.40B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.55BInternational $2.17B
Return by film
Worldwide ÷ budget0x2.5x breakeven14.0x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#7Biggest July 4th openingsAnt-Man and the Wasp$75.8M#10Biggest October openingsThe Martian$54.3M#19Best second-weekend holds ($50M+ openers)The Martian−31.9%
3 placings across 3 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
