

Actor
Vera FarmigaFollow
18 films•2000–2025•Mystery · Thriller · Drama
Avg critics59%
Avg audience68%
Avg domestic$63.9M
Domestic
$1.15B
Lifetime
Worldwide
$2.97B
Lifetime
Avg opening
$21.5M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
The Conjuring: Last Rites | 2025 | $84.0M | $177.8M | 2.12x | $499.3M | B+ | 63% | #15 |
The Conjuring | 2013 | $41.9M | $137.4M | 3.28x | $316.1M | A- | 86% | #19 |
Safe House | 2012 | $40.2M | $126.0M | 3.15x | $208.0M | A- | 52% | #25 |
Godzilla: King of the Monsters | 2019 | $47.8M | $110.5M | 2.31x | $387.3M | B+ | 42% | #26 |
The Conjuring 2 | 2016 | $40.3M | $102.5M | 2.55x | $321.4M | A | 80% | #28 |
Up in the Air | 2009 | $1.2M | $83.8M | 7.40x | $167.0M | B | 90% | #38 |
Annabelle Comes Home | 2019 | $20.3M | $74.2M | 3.66x | $231.3M | B- | 64% | #37 |
The Conjuring: The Devil Made Me Do It | 2021 | $24.0M | $65.6M | 2.70x | $206.4M | B+ | 56% | #19 |
Source Code | 2011 | $14.8M | $54.7M | 3.70x | $140.4M | — | 92% | — |
The Judge | 2014 | $13.1M | $47.1M | 3.60x | $76.1M | — | 49% | — |
Orphan | 2009 | $12.9M | $41.6M | 3.20x | $78.8M | — | 60% | — |
Autumn in New York | 2000 | $11.0M | $37.8M | 3.44x | $90.7M | C+ | 20% | — |
The Commuter | 2018 | $13.7M | $36.3M | 2.70x | $118.5M | B | 55% | — |
15 Minutes | 2001 | $10.5M | $24.4M | 2.30x | $56.3M | — | 32% | — |
The Boy in the Striped Pajamas | 2008 | $253K | $9.0M | 5.30x | $44.0M | — | 65% | — |
The Many Saints of Newark | 2021 | $4.7M | $8.2M | 1.80x | $13.0M | — | 72% | — |
Running Scared | 2006 | $3.4M | $6.9M | 2.00x | $9.7M | — | 41% | — |
Captive State | 2019 | $3.1M | $6.0M | 1.90x | $9.4M | — | 42% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.5 years
Profitability
Return on budget
3.7x
$2.97B worldwide on $799.5M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.15BInternational $1.82B
Return by film
Worldwide ÷ budget0x2.5x breakeven15.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest horror openingsThe Conjuring: Last Rites$84.0M#4Biggest September openingsThe Conjuring: Last Rites$84.0M#9Biggest horror filmsThe Conjuring: Last Rites$177.8M
Top 3 of 4 placings across 4 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.


















