




Studio
20th Century StudiosFollow
29 films•2017–2026•Drama · Action · Adventure
Avg critics69%
Avg audience75%
Avg domestic$90.6M
Domestic
$2.63B
Lifetime
Worldwide
$7.89B
Lifetime
Avg opening
$25.7M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Avatar: The Way of Water | 2022 | $134.1M | $688.8M | 5.10x | $2.32B | A | 77% | #2 |
Avatar: Fire and Ash | 2025 | $89.2M | $404.3M | 4.53x | $1.49B | A | 68% | #4 |
The Devil Wears Prada 2 | 2026 | $76.7M | $220.6M | 2.90x | $693.2M | A- | 78% | #8 |
Kingdom of the Planet of the Apes | 2024 | $58.8M | $171.1M | 2.90x | $397.4M | A- | 82% | #15 |
War for the Planet of the Apes | 2017 | $56.3M | $146.9M | 2.61x | $489.6M | A | 93% | #22 |
Free Guy | 2021 | $28.4M | $121.6M | 4.30x | $331.5M | A | 80% | #11 |
Alien: Romulus | 2024 | $42.0M | $105.3M | 2.50x | $350.9M | B+ | 80% | #22 |
Murder on the Orient Express | 2017 | $28.7M | $102.8M | 3.58x | $351.8M | A- | 59% | #31 |
Predator: Badlands | 2025 | $40.0M | $91.1M | 2.30x | $184.6M | A- | 89% | #24 |
The Call of the Wild | 2020 | $24.8M | $62.3M | 2.50x | $110.8M | A- | 62% | #6 |
Death on the Nile | 2022 | $12.9M | $45.6M | 3.50x | $130.3M | A- | 72% | #34 |
The Boogeyman | 2023 | $12.4M | $43.2M | 3.50x | $82.3M | — | 60% | — |
A Haunting in Venice | 2023 | $14.3M | $42.5M | 3.00x | $122.3M | B | 75% | — |
The Amateur | 2025 | $14.8M | $40.8M | 2.80x | $96.0M | B+ | 62% | #47 |
The Creator | 2023 | $14.1M | $40.8M | 2.90x | $104.3M | — | 67% | — |
Barbarian | 2022 | $10.5M | $40.8M | 3.90x | $45.3M | B | 92% | #37 |
West Side Story | 2021 | $10.5M | $38.9M | 3.70x | $76.5M | A | 91% | #33 |
The King's Man | 2021 | $5.9M | $37.2M | 6.30x | $125.9M | B+ | 41% | — |
The Bob's Burgers Movie | 2022 | $12.4M | $31.9M | 2.60x | $34.1M | A- | 85% | #43 |
The New Mutants | 2020 | $7.0M | $23.9M | 3.40x | $47.5M | B- | 36% | #14 |
Ron's Gone Wrong | 2021 | $7.3M | $23.0M | 3.20x | $60.7M | A | 82% | #45 |
Springsteen: Deliver Me from Nowhere | 2025 | $8.9M | $22.6M | 2.50x | $45.2M | — | 61% | — |
The First Omen | 2024 | $8.4M | $20.1M | 2.40x | $54.0M | — | 84% | — |
Underwater | 2020 | $7.0M | $17.3M | 2.50x | $41.6M | C | 48% | #20 |
The Dog Stars | 2026 | $7.7M | $15.0M | 1.90x | $39.3M | C+ | 40% | #66 |
Amsterdam | 2022 | $6.4M | $14.9M | 2.30x | $29.4M | B | 60% | #49 |
The Last Duel | 2021 | $4.8M | $10.9M | 2.30x | $30.6M | — | 85% | — |
Psycho Killer | 2026 | $1.6M | $2.6M | 1.60x | $2.6M | — | 9% | — |
Prey | 2022 | — | — | — | — | — | 94% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
2.8x
$7.85B worldwide on $2.80B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.59BInternational $5.26B
Return by film
Worldwide ÷ budget0x2.5x breakeven10.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#2Biggest Christmas openingsAvatar: Fire and Ash$89.2M#3Biggest 4th weekendsAvatar: The Way of Water$45.8M#4Biggest worldwide runsAvatar: The Way of Water$2.32B#6Biggest December openingsAvatar: The Way of Water$134.1M#7Biggest December openingsAvatar: Fire and Ash$89.2M#12Fastest to $1B worldwideAvatar: Fire and Ash18 days#18Biggest August openingsAlien: Romulus$42.0M
Top 7 of 22 placings across 19 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
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