Actor
Helen MirrenFollow
26 films•1981–2019•Drama · Adventure · Comedy
Avg critics58%
Avg audience67%
Avg domestic$57.3M
Domestic
$1.49B
Lifetime
Worldwide
$3.67B
Lifetime
Avg opening
$14.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Monsters University | 2013 | $82.4M | $268.0M | 3.26x | $744.0M | A | 80% | #7 |
 National Treasure: Book of Secrets | 2007 | $44.8M | $220.0M | 4.91x | $459.0M | A- | 35% | #8 |
 Fast & Furious Presents: Hobbs & Shaw | 2019 | $60.0M | $174.0M | 2.90x | $760.7M | A− | 67% | #13 |
 RED | 2010 | $21.8M | $90.4M | 4.15x | $199.0M | A- | 72% | #38 |
 The Queen | 2006 | $122K | $56.4M | 19.4x | $123.0M | — | 97% | — |
 Legend of the Guardians: The Owls of Ga'Hoole | 2010 | $16.1M | $55.7M | 3.46x | $140.0M | A- | 52% | — |
 The Nutcracker and the Four Realms | 2018 | $20.4M | $54.9M | 2.70x | $170.0M | B+ | 32% | — |
 The Hundred-Foot Journey | 2014 | $11.0M | $54.2M | 4.90x | $94.3M | A | 69% | — |
 RED 2 | 2013 | $18.0M | $53.3M | 2.95x | $148.0M | B+ | 44% | — |
 Gosford Park | 2001 | $3.7M | $41.3M | 11.2x | $87.8M | — | 87% | — |
 2010: The Year We Make Contact | 1984 | $7.4M | $41.0M | 5.50x | — | — | 68% | — |
 Raising Helen | 2004 | $11.0M | $37.5M | 3.40x | $49.8M | — | 25% | — |
 State of Play | 2009 | $14.1M | $37.0M | 2.60x | $88.8M | — | 84% | — |
 Excalibur | 1981 | $4.5M | $34.2M | 7.60x | — | — | 73% | — |
 Woman in Gold | 2015 | $2.1M | $33.3M | 6.10x | $58.6M | — | 58% | — |
 Arthur | 2011 | $12.2M | $33.0M | 2.70x | $47.8M | — | 27% | — |
 The Debt | 2011 | $9.9M | $31.2M | 3.10x | $46.6M | — | 77% | — |
 Collateral Beauty | 2016 | $7.1M | $31.0M | 4.40x | $88.5M | — | 14% | — |
 Calendar Girls | 2003 | $151K | $31.0M | 7.00x | $93.1M | — | 73% | — |
 Winchester | 2018 | $9.3M | $25.1M | 2.70x | $46.0M | — | 12% | — |
 The Pledge | 2001 | $5.8M | $19.7M | 3.40x | $29.4M | — | 78% | — |
 Eye in the Sky | 2016 | $114K | $18.7M | 4.70x | $35.4M | — | 95% | — |
 Inkheart | 2009 | $7.6M | $17.3M | 2.30x | $66.7M | — | 38% | — |
 The Good Liar | 2019 | $5.6M | $17.2M | 3.10x | $33.9M | — | 64% | — |
 Anna | 2019 | $3.6M | $7.7M | 2.20x | $32.8M | — | 33% | — |
 Hitchcock | 2012 | $288K | $6.0M | 5.40x | $24.7M | — | 59% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 1.5 years
Profitability
Return on budget
2.7x
$3.64B worldwide on $1.33B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.41BInternational $2.24B
Return by film
Worldwide ÷ budget0x2.5x breakeven13.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#5All-time G domesticMonsters University$268.5M#8Biggest August openingsFast & Furious Presents: Hobbs & Shaw$60.0M#9Biggest Christmas openingsNational Treasure: Book of Secrets$44.8M#12Biggest Labor Day openingsThe Debt$12.9M#18Biggest June openingsMonsters University$82.4M#20Biggest animated openingsMonsters University$82.4M
6 placings across 6 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.