Actor
Nicholas HoultFollow
16 films•2002–2025•Drama · Action · Comedy
Avg critics71%
Avg audience73%
Avg domestic$75.6M
Domestic
$1.21B
Lifetime
Worldwide
$2.96B
Lifetime
Avg opening
$24.7M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Superman | 2025 | $125.0M | $354.2M | 2.83x | $618.7M | A- | 86% | #5 |
 X-Men: Apocalypse | 2016 | $65.8M | $155.4M | 2.36x | $542.5M | A- | 47% | #17 |
 Mad Max: Fury Road | 2015 | $45.4M | $154.4M | 3.40x | $380.5M | A- | 97% | #22 |
 Nosferatu | 2024 | $21.7M | $95.6M | 4.40x | $181.0M | A | 87% | #25 |
 The Garfield Movie | 2024 | $24.0M | $92.0M | 3.80x | $255.4M | B+ | 36% | #27 |
 Warm Bodies | 2013 | $20.4M | $66.4M | 3.30x | $114.8M | — | 81% | — |
 X-Men: Dark Phoenix | 2019 | $32.8M | $65.8M | 2.01x | $246.4M | B- | 22% | #44 |
 Jack the Giant Slayer | 2013 | $27.2M | $65.2M | 2.40x | $198.0M | B+ | 52% | — |
 About a Boy | 2002 | $8.6M | $41.4M | 4.84x | $131.0M | B+ | 93% | — |
 The Menu | 2022 | $9.0M | $38.5M | 4.30x | $79.6M | B+ | 84% | #39 |
 The Favourite | 2018 | $422K | $34.4M | 13.2x | $95.8M | — | 93% | — |
 Renfield | 2023 | $8.0M | $17.3M | 2.20x | $26.9M | — | 58% | — |
 The Weather Man | 2005 | $4.2M | $12.5M | 2.90x | $15.5M | — | 60% | — |
 A Single Man | 2009 | $217K | $9.2M | 10.9x | $28.1M | — | 86% | — |
 Those Who Wish Me Dead | 2021 | $2.8M | $7.4M | 2.60x | $19.1M | — | 63% | — |
 Juror #2 | 2024 | — | — | — | $27.3M | — | 93% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.5 years
Profitability
Return on budget
2.2x
$2.91B worldwide on $1.30B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.20BInternational $1.71B
Return by film
Worldwide ÷ budget0x2.5x breakeven6.4x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records2 placings across 2 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleConnected
Counted from this filmography. The number is how many of these films each one accounts for.
