Actor & Director
Clint EastwoodFollow
44 films•30 as director•1964–2024•Drama · Crime · Action
Avg critics74%
Avg audience74%
Avg domestic$54.6M
Domestic
$2.40B
Lifetime
Worldwide
$3.14B
Lifetime
Avg opening
$7.4M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 American Sniper | 2015 | $633K | $350.1M | 3.90x | $547.6M | A+ | 72% | #6 |
 Gran Torino | 2008 | $29.5M | $148.0M | 5.02x | $270.0M | A | 81% | #12 |
 Sully | 2016 | $35.0M | $125.1M | 3.57x | $243.9M | A | 85% | #24 |
 Every Which Way But Loose | 1978 | $10.3M | $104.3M | 10.2x | — | — | 41% | — |
 The Mule | 2018 | $17.5M | $103.8M | 5.88x | $102.2M | A− | 70% | #32 |
 In the Line of Fire | 1993 | $15.3M | $102.2M | 6.70x | $187.3M | — | 96% | — |
 Unforgiven | 1992 | $15.0M | $101.0M | 6.70x | $159.0M | — | 96% | — |
 Million Dollar Baby | 2005 | $12.3M | $100.0M | 8.20x | $232.0M | — | 90% | #20 |
 Space Cowboys | 2000 | $18.1M | $90.5M | 5.00x | $129.0M | A- | 78% | #24 |
 Mystic River | 2003 | $10.4M | $90.1M | 8.63x | $157.0M | B+ | 89% | #34 |
 The Bridges of Madison County | 1995 | $10.5M | $71.5M | 6.80x | $175.5M | — | 90% | — |
 Sudden Impact | 1983 | $9.7M | $67.6M | 7.00x | — | — | 52% | — |
 Absolute Power | 1997 | $14.7M | $50.1M | 3.40x | — | — | 58% | — |
 Jersey Boys | 2014 | $13.4M | $47.0M | 3.51x | $65.3M | A | 51% | #48 |
 The Enforcer | 1976 | — | $46.2M | — | — | — | 68% | — |
 Firefox | 1982 | $8.2M | $45.8M | 5.60x | — | — | 41% | — |
 Magnum Force | 1973 | — | $44.7M | — | — | — | 69% | — |
 Escape from Alcatraz | 1979 | $5.3M | $43.0M | 8.10x | — | — | 97% | — |
 Heartbreak Ridge | 1986 | $8.1M | $42.7M | 5.30x | — | — | 63% | — |
 Pale Rider | 1985 | $9.1M | $41.4M | 4.50x | — | — | 94% | — |
 The Dead Pool | 1988 | $9.1M | $37.9M | 4.20x | — | — | 53% | — |
 Invictus | 2009 | $8.6M | $37.5M | 4.35x | $122.0M | A- | 76% | — |
 J. Edgar | 2011 | $11.2M | $37.3M | 3.30x | $84.6M | — | 44% | — |
 Trouble with the Curve | 2012 | $12.2M | $35.8M | 2.90x | $47.8M | — | 51% | — |
 Changeling | 2008 | $489K | $35.7M | 3.80x | $113.8M | — | 61% | — |
 The Gauntlet | 1977 | — | $35.4M | — | — | — | 75% | — |
 Flags of Our Fathers | 2006 | $10.2M | $33.6M | 3.30x | $63.7M | A- | 76% | — |
 Hereafter | 2010 | $220K | $32.7M | 2.70x | $108.7M | — | 48% | — |
 A Perfect World | 1993 | $8.1M | $31.2M | 3.90x | $135.1M | B+ | 77% | — |
 Dirty Harry | 1971 | — | $28.2M | — | — | — | 89% | — |
 The Outlaw Josey Wales | 1976 | — | $27.0M | — | — | — | 91% | — |
 Blood Work | 2002 | $7.3M | $26.2M | 3.60x | $31.8M | — | 52% | — |
 Midnight in the Garden of Good and Evil | 1997 | $5.2M | $25.1M | 4.80x | — | — | 50% | — |
 The Good, the Bad and the Ugly | 1966 | — | $25.1M | — | $25.3M | — | 97% | — |
 Thunderbolt and Lightfoot | 1974 | — | $25.0M | — | — | — | 89% | — |
 Richard Jewell | 2019 | $4.7M | $22.3M | 4.70x | $44.6M | — | 77% | — |
 The Rookie | 1990 | $5.5M | $21.6M | 3.90x | — | — | 31% | — |
 High Plains Drifter | 1973 | — | $15.7M | — | — | — | 91% | — |
 For a Few Dollars More | 1965 | — | $15.0M | — | — | — | 92% | — |
 A Fistful of Dollars | 1964 | — | $14.5M | — | — | — | 98% | — |
 Letters from Iwo Jima | 2006 | $1.7M | $13.8M | 7.40x | $67.9M | — | 91% | — |
 Where Eagles Dare | 1969 | — | $7.1M | — | — | — | 84% | — |
 Kelly's Heroes | 1970 | — | $5.2M | — | — | — | 79% | — |
 Juror #2 | 2024 | — | — | — | $27.3M | — | 93% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.4 years
Profitability
Return on budget
3.4x
$2.79B worldwide on $819.6M of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.53BInternational $1.26B
Return by film
Worldwide ÷ budget0x2.5x breakeven21.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#1Biggest 4th weekendsAmerican Sniper$89.3M#1Biggest January openingsAmerican Sniper$89.3M#5All-time R domesticAmerican Sniper$350.1M#5Biggest 7th weekendsGran Torino$16.2M#12Biggest 7th weekendsMillion Dollar Baby$12.3M#15Biggest September openingsSully$35.0M#19Biggest January openingsGran Torino$29.5M
Top 7 of 21 placings across 12 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.