




Studio
Metro-Goldwyn-MayerFollow
107 films•1939–2024•Drama · Comedy · Action
Avg critics64%
Avg audience70%
Avg domestic$46.2M
Domestic
$4.94B
Lifetime
Worldwide
$8.19B
Lifetime
Avg opening
$9.5M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Gone with the Wind | 1939 | — | $198.7M | — | $390.5M | — | 90% | — |
Hannibal | 2001 | $58.0M | $165.0M | 2.80x | $352.0M | C+ | 39% | #12 |
Die Another Day | 2002 | $47.1M | $160.9M | 3.42x | $431.9M | A- | 55% | #11 |
Rocky IV | 1985 | $20.0M | $127.9M | — | $300.4M | — | 38% | — |
The World Is Not Enough | 1999 | $35.5M | $126.9M | 3.60x | $361.7M | — | 51% | — |
Tomorrow Never Dies | 1997 | $25.1M | $125.3M | 5.00x | $339.5M | — | 58% | — |
Rocky III | 1982 | $12.4M | $125.0M | 10.1x | $270.0M | — | 66% | — |
Creed II | 2018 | $35.6M | $115.7M | 3.30x | $214.2M | A | 83% | #30 |
Doctor Zhivago | 1965 | — | $111.9M | — | $112.1M | — | 82% | — |
GoldenEye | 1995 | $26.2M | $106.4M | 3.84x | $356.4M | A- | 80% | — |
Legally Blonde | 2001 | $20.4M | $96.5M | 4.74x | $142.0M | A- | 72% | #22 |
Legally Blonde 2: Red, White & Blonde | 2003 | $22.2M | $90.2M | 4.06x | $125.0M | B | 35% | #33 |
Moonstruck | 1987 | — | $80.6M | — | $83.1M | — | 90% | — |
Barbershop | 2002 | $20.6M | $75.8M | 3.70x | $77.1M | A- | 82% | #35 |
Poltergeist | 1982 | $6.9M | $74.8M | 10.8x | $121.8M | — | 89% | — |
WarGames | 1983 | $6.2M | $74.4M | 12.0x | — | — | 93% | — |
Ben-Hur | 1959 | — | $73.0M | — | $73.2M | — | 88% | — |
1408 | 2007 | $20.6M | $72.0M | 3.49x | $133.0M | B- | 80% | #37 |
Get Shorty | 1995 | $12.7M | $72.0M | 5.70x | $115.0M | — | 89% | — |
Stargate | 1994 | $16.7M | $71.6M | 4.30x | $196.6M | — | 53% | — |
Rocky Balboa | 2006 | $12.2M | $70.3M | 5.78x | $156.2M | B+ | 78% | #38 |
The Thomas Crown Affair | 1999 | $14.6M | $69.3M | 4.70x | $124.3M | B+ | 68% | — |
Octopussy | 1983 | $8.9M | $67.9M | 7.60x | $187.5M | — | 41% | — |
The Beekeeper | 2024 | $16.6M | $66.2M | 4.00x | $162.6M | B+ | 70% | #34 |
The Amityville Horror | 2005 | $23.5M | $65.2M | 2.78x | $108.0M | B | 23% | #39 |
Barbershop 2: Back in Business | 2004 | $24.2M | $65.1M | 2.69x | $65.8M | A- | 69% | #45 |
A Fish Called Wanda | 1988 | $115K | $63.5M | 13.2x | — | A | 96% | — |
Species | 1995 | $17.2M | $60.1M | 3.50x | $113.4M | B- | 42% | — |
Halloween | 2007 | $26.4M | $58.3M | 2.21x | $77.5M | B- | 28% | #43 |
2001: A Space Odyssey | 1968 | — | $58.1M | — | $69.9M | — | 90% | — |
Willow | 1988 | $8.3M | $57.3M | 6.90x | — | A- | 53% | — |
The Man in the Iron Mask | 1998 | $17.3M | $57.0M | 3.30x | $183.0M | — | 32% | — |
Be Cool | 2005 | $23.5M | $56.0M | 2.39x | $94.9M | B- | 29% | #49 |
House of Gucci | 2021 | $14.4M | $53.8M | 3.74x | $153.3M | B+ | 61% | #25 |
The Living Daylights | 1987 | $11.1M | $51.2M | 4.60x | $191.2M | — | 75% | — |
Hot Tub Time Machine | 2010 | $14.0M | $50.3M | 3.60x | $66.0M | — | 64% | — |
A View to a Kill | 1985 | $13.3M | $50.3M | 3.80x | $152.6M | — | 36% | — |
Stigmata | 1999 | $18.3M | $50.0M | 2.70x | $89.4M | — | 0% | — |
Agent Cody Banks | 2003 | $14.1M | $47.5M | 3.40x | $58.2M | — | 38% | — |
Walking Tall | 2004 | $15.5M | $46.2M | 3.00x | $47.9M | B+ | 27% | — |
Thelma & Louise | 1991 | — | $45.4M | — | $45.6M | — | 87% | — |
The Dirty Dozen | 1967 | — | $45.3M | — | — | — | 82% | — |
The Return of the Pink Panther | 1975 | — | $41.8M | — | — | — | 79% | — |
Ronin | 1998 | $12.7M | $41.6M | 3.30x | $70.7M | — | 70% | — |
Bandits | 2001 | $13.1M | $41.5M | 3.20x | $71.5M | — | 64% | — |
Out of Time | 2003 | $16.2M | $41.1M | 2.50x | $55.5M | — | 65% | — |
Poltergeist II: The Other Side | 1986 | $12.4M | $41.0M | 3.30x | — | — | 20% | — |
2010: The Year We Make Contact | 1984 | $7.4M | $41.0M | 5.50x | — | — | 68% | — |
Windtalkers | 2002 | $14.5M | $40.9M | 2.80x | $77.6M | — | 33% | — |
Heartbreakers | 2001 | $11.8M | $40.3M | 3.40x | $57.8M | — | 55% | — |
Red Dawn | 1984 | $8.2M | $38.9M | 4.70x | — | — | 48% | — |
Spaceballs | 1987 | $6.6M | $38.1M | 5.80x | $38.1M | — | 53% | — |
Jeepers Creepers | 2001 | $13.1M | $37.9M | 2.90x | $58.9M | — | 47% | — |
Autumn in New York | 2000 | $11.0M | $37.8M | 3.44x | $90.7M | C+ | 20% | — |
Uptown Girls | 2003 | $11.3M | $37.1M | 3.30x | $37.1M | — | 14% | — |
Last Tango in Paris | 1972 | — | $36.1M | — | — | — | 81% | — |
The Wizard of Oz | 1939 | — | $35.6M | — | — | — | 98% | — |
Licence to Kill | 1989 | $8.8M | $34.7M | 4.00x | $156.2M | — | 79% | — |
Death Wish | 2018 | $13.0M | $34.0M | 2.60x | $48.6M | — | 18% | — |
Return to Me | 2000 | $7.8M | $32.7M | 4.20x | $36.5M | — | 62% | — |
Leaving Las Vegas | 1995 | $71K | $32.0M | 9.80x | $49.8M | — | 91% | — |
Rob Roy | 1995 | $2.0M | $31.4M | 4.40x | — | — | 73% | — |
Blown Away | 1994 | $10.4M | $30.1M | 2.90x | — | — | 39% | — |
Clash of the Titans | 1981 | $6.6M | $30.0M | 4.60x | $44.4M | — | 65% | — |
Mr. Brooks | 2007 | $10.0M | $28.5M | 2.80x | $46.0M | — | 56% | — |
Wrath of Man | 2021 | $8.1M | $27.5M | 3.40x | $104.0M | A- | 68% | #40 |
Overboard | 1987 | $1.9M | $26.7M | 14.2x | — | A- | 46% | — |
Superhero Movie | 2008 | $9.5M | $26.6M | 2.80x | $73.0M | — | 17% | — |
All Dogs Go to Heaven | 1989 | $4.7M | $26.2M | 5.60x | — | — | 46% | — |
The Nanny Diaries | 2007 | $7.5M | $25.9M | 3.50x | $46.0M | — | 34% | — |
The Mist | 2007 | $8.9M | $25.6M | 2.90x | $57.2M | — | 74% | — |
Kingpin | 1996 | $5.6M | $25.0M | 4.50x | $32.2M | — | 53% | — |
Respect | 2021 | $8.8M | $24.3M | 2.76x | $32.1M | A | 63% | #43 |
Clerks II | 2006 | $10.1M | $24.1M | 2.40x | $27.3M | — | 63% | — |
Network | 1976 | — | $23.7M | — | — | — | 91% | — |
Vicky Cristina Barcelona | 2008 | $3.8M | $23.2M | 6.20x | $104.5M | — | 80% | — |
Benny & Joon | 1993 | $3.3M | $23.2M | 6.10x | — | — | 75% | — |
The Cutting Edge | 1992 | $4.5M | $23.1M | 5.20x | — | — | 59% | — |
Fighting with My Family | 2019 | $139K | $23.0M | 2.90x | $41.5M | — | 93% | — |
Bulletproof Monk | 2003 | $8.7M | $23.0M | 2.70x | $26.9M | — | 22% | — |
Lucky Number Slevin | 2006 | $7.0M | $22.5M | 3.20x | $55.5M | — | 52% | — |
Victor/Victoria | 1982 | $140K | $22.5M | 10.7x | — | — | 85% | — |
Bowling for Columbine | 2002 | $209K | $21.6M | 13.9x | $58.2M | — | 95% | — |
Quigley Down Under | 1990 | $3.9M | $21.4M | 5.60x | — | — | 52% | — |
A Christmas Story | 1983 | $2.1M | $20.8M | — | — | — | 87% | — |
Hart's War | 2002 | $7.8M | $19.1M | 2.50x | $33.1M | — | 60% | — |
Operation Finale | 2018 | $6.0M | $17.6M | 2.90x | — | — | 60% | — |
To Live and Die in L.A. | 1985 | $3.6M | $17.3M | 4.90x | — | — | 89% | — |
The Covenant | 2023 | $6.4M | $16.9M | 2.70x | $20.7M | — | 82% | — |
Original Sin | 2001 | $6.4M | $16.5M | 2.60x | $35.4M | — | 12% | — |
North by Northwest | 1959 | — | $13.4M | — | $13.5M | — | 97% | — |
Wicker Park | 2004 | $5.5M | $13.0M | 2.40x | $21.6M | — | 27% | — |
Bottoms | 2023 | $461K | $12.0M | 3.90x | $13.0M | — | 91% | — |
Cutthroat Island | 1995 | $2.4M | $10.0M | 4.20x | $18.5M | — | 40% | — |
Lolita | 1962 | — | $9.2M | — | — | — | 89% | — |
Saved! | 2004 | $345K | $8.9M | 3.50x | $10.2M | — | 61% | — |
Death at a Funeral | 2007 | $1.3M | $8.6M | 6.70x | $47.3M | — | 63% | — |
Hackers | 1995 | $3.2M | $7.5M | 2.40x | — | — | 34% | — |
Singin' in the Rain | 1952 | — | $7.3M | — | $7.3M | — | 100% | — |
Where Eagles Dare | 1969 | — | $7.1M | — | — | — | 84% | — |
Ghost World | 2001 | $99K | $6.2M | 13.5x | $8.8M | — | 93% | — |
Lars and the Real Girl | 2007 | $90K | $6.0M | 6.50x | $11.3M | — | 81% | — |
Rescue Dawn | 2007 | $110K | $5.5M | 49.8x | $7.0M | — | 90% | — |
Kelly's Heroes | 1970 | — | $5.2M | — | — | — | 79% | — |
Of Mice and Men | 1992 | $98K | $5.1M | 52.1x | — | — | 97% | — |
The Philadelphia Story | 1940 | — | $3.0M | — | $3.0M | — | 100% | — |
The Boy Friend | 1971 | — | — | — | — | — | 0% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide
Profitability
Return on budget
2.9x
$7.37B worldwide on $2.57B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $3.69BInternational $3.68B
Return by film
Worldwide ÷ budget0x2.5x breakeven38.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest Labor Day openingsHalloween$30.6M#6Biggest October openingsHalloween$76.2M#7Biggest horror openingsHalloween$76.2M#7Biggest Labor Day openingsJeepers Creepers$15.8M#9Biggest Thanksgiving openingsCreed II$56.0M#10Biggest February openingsHannibal$58.0M#12Biggest horror openingsHannibal$58.0M#14All-time G domesticGone with the Wind$198.7M#14Biggest April openingsClash of the Titans$61.2M#18Most weekends in the top 10Rocky III20 weekends
Top 10 of 13 placings across 11 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Directors
Counted from this filmography. The number is how many of these films each one accounts for.






































































































