Actor
Michelle PfeifferFollow
27 films•1983–2023•Drama · Comedy · Romance
Avg critics57%
Avg audience67%
Avg domestic$74.4M
Domestic
$2.01B
Lifetime
Worldwide
$4.26B
Lifetime
Avg opening
$19.8M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Ant-Man and the Wasp | 2018 | $75.8M | $216.6M | 2.86x | $623.1M | A | 87% | #11 |
 Ant-Man and the Wasp: Quantumania | 2023 | $106.1M | $214.5M | 2.00x | $476.1M | A | 46% | #9 |
 Batman Returns | 1992 | $45.7M | $163.0M | 3.60x | $267.0M | — | 81% | — |
 What Lies Beneath | 2000 | $29.7M | $155.0M | 5.23x | $291.0M | B+ | 49% | #10 |
 Hairspray | 2007 | $27.5M | $119.0M | 4.30x | $204.0M | A | 92% | #24 |
 Maleficent: Mistress of Evil | 2019 | $36.0M | $113.3M | 3.15x | $491.0M | A | 40% | #24 |
 Murder on the Orient Express | 2017 | $28.7M | $102.8M | 3.58x | $351.8M | A- | 59% | #31 |
 The Prince of Egypt | 1998 | $14.5M | $101.4M | 7.00x | $218.6M | — | 79% | — |
 Dangerous Minds | 1995 | $14.9M | $84.9M | 5.70x | $179.5M | A- | 36% | — |
 Dark Shadows | 2012 | $29.7M | $79.7M | 2.69x | $246.0M | B- | 35% | #38 |
 Wolf | 1994 | $17.9M | $65.0M | 3.60x | $131.0M | — | 62% | — |
 The Witches of Eastwick | 1987 | $9.5M | $62.8M | 6.60x | — | B+ | 67% | — |
 New Year's Eve | 2011 | $13.0M | $54.5M | 4.20x | $146.9M | — | 7% | — |
 Up Close & Personal | 1996 | $11.1M | $51.0M | 4.60x | $100.6M | A- | 32% | — |
 One Fine Day | 1996 | $6.2M | $46.2M | 7.40x | — | — | 56% | — |
 Scarface | 1983 | $4.6M | $45.2M | 9.80x | $65.7M | — | 77% | — |
 I Am Sam | 2001 | $42K | $40.3M | 4.80x | $92.5M | A | 35% | — |
 Tequila Sunrise | 1988 | $6.4M | $39.7M | 6.30x | — | — | 52% | — |
 Stardust | 2007 | $9.2M | $38.6M | 4.21x | $138.0M | A- | 77% | — |
 The Family | 2013 | $14.0M | $36.9M | 2.60x | $80.6M | — | 28% | — |
 Dangerous Liaisons | 1988 | — | $34.7M | — | — | — | 91% | — |
 The Age of Innocence | 1993 | $2.3M | $32.0M | 6.70x | $32.0M | — | 88% | — |
 The Story of Us | 1999 | $9.7M | $27.1M | 2.80x | — | B- | 26% | — |
 Sinbad: Legend of the Seven Seas | 2003 | $6.9M | $26.5M | 3.90x | $80.8M | — | 44% | — |
 Frankie and Johnny | 1991 | $4.3M | $22.8M | 5.30x | — | — | 69% | — |
 Ladyhawke | 1985 | $3.5M | $18.4M | 5.30x | — | — | 68% | — |
 Mother! | 2017 | $7.5M | $17.8M | 2.40x | $44.5M | — | 68% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.5 years
Profitability
Return on budget
2.7x
$4.26B worldwide on $1.55B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.76BInternational $2.50B
Return by film
Worldwide ÷ budget0x2.5x breakeven7.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest February openingsAnt-Man and the Wasp: Quantumania$106.1M#7Biggest July 4th openingsAnt-Man and the Wasp$75.8M#14Biggest horror filmsWhat Lies Beneath$155.5M
3 placings across 3 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.