Actor
Patrick WilsonFollow
24 films•1 also directed•2004–2025•Drama · Thriller · Mystery
Avg critics60%
Avg audience69%
Avg domestic$71.6M
Domestic
$1.72B
Lifetime
Worldwide
$4.66B
Lifetime
Avg opening
$23.2M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Aquaman | 2018 | $67.9M | $335.1M | 4.94x | $1.15B | A- | 64% | #5 |
 The Conjuring: Last Rites | 2025 | $84.0M | $177.8M | 2.12x | $499.3M | B+ | 63% | #15 |
 The Conjuring | 2013 | $41.9M | $137.4M | 3.28x | $316.1M | A- | 86% | #19 |
 Aquaman and the Lost Kingdom | 2023 | $27.7M | $124.5M | 4.50x | $440.2M | A- | 41% | #21 |
 Watchmen | 2009 | $55.2M | $108.0M | 1.95x | $185.0M | B | 64% | #31 |
 The Conjuring 2 | 2016 | $40.3M | $102.5M | 2.55x | $321.4M | A | 80% | #28 |
 Insidious: Chapter 2 | 2013 | $40.3M | $83.6M | 2.08x | $161.9M | B+ | 38% | #42 |
 Insidious: The Red Door | 2023 | $33.0M | $82.2M | 2.50x | $189.1M | A- | 59% | #33 |
 The A-Team | 2010 | $25.7M | $77.2M | 3.01x | $177.0M | B+ | 48% | #44 |
 Annabelle Comes Home | 2019 | $20.3M | $74.2M | 3.66x | $231.3M | B- | 64% | #37 |
 The Conjuring: The Devil Made Me Do It | 2021 | $24.0M | $65.6M | 2.70x | $206.4M | B+ | 56% | #19 |
 Midway | 2019 | $17.9M | $56.8M | 3.17x | $126.8M | A- | 57% | #50 |
 Insidious | 2010 | $13.3M | $54.0M | 4.10x | $99.9M | — | 66% | — |
 The Phantom of the Opera | 2004 | $4.6M | $51.3M | 11.3x | $155.0M | A | 32% | — |
 Lakeview Terrace | 2008 | $15.0M | $39.3M | 2.60x | $44.8M | — | 44% | — |
 The Commuter | 2018 | $13.7M | $36.3M | 2.70x | $118.5M | B | 55% | — |
 Morning Glory | 2010 | $9.2M | $31.0M | 3.40x | $59.8M | — | 57% | — |
 The Switch | 2010 | $8.4M | $27.8M | 3.30x | $49.9M | — | 54% | — |
 Moonfall | 2022 | $9.9M | $19.1M | 1.90x | $59.1M | — | 35% | — |
 Young Adult | 2011 | $310K | $16.3M | 4.80x | $22.8M | — | 0% | — |
 The Founder | 2016 | $3.4M | $12.8M | 3.80x | $24.2M | — | 80% | — |
 Little Children | 2006 | $98K | $5.5M | 14.3x | $14.1M | — | 81% | — |
 Hard Candy | 2005 | $58K | $1.0M | 3.30x | $8.3M | — | 67% | — |
 Bone Tomahawk | 2015 | — | — | — | $0.5M | — | 91% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$500M$1B
DomesticInternationalColumn height is worldwide · one film every 0.9 years
Profitability
Return on budget
3.7x
$4.66B worldwide on $1.28B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.72BInternational $2.94B
Return by film
Worldwide ÷ budget0x2.5x breakeven64.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest horror openingsThe Conjuring: Last Rites$84.0M#3Biggest Christmas openingsAquaman$67.9M#4Biggest September openingsThe Conjuring: Last Rites$84.0M#6Best second-weekend holds ($50M+ openers)Aquaman−23.2%#9Biggest horror filmsThe Conjuring: Last Rites$177.8M#11Biggest September openingsInsidious: Chapter 2$40.3M#12Best multipliersAquaman4.94x
Top 7 of 10 placings across 9 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
Week 34 · RecapBrand New Day closes in on #2 all-time; Odyssey beats The Dark Knight to take Nolan’s domestic record; Insidious opens to $25MAugust 21–23, 2026
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