Actor
Rachel WeiszFollow
19 films•1996–2021•Drama · Action · Fantasy
Avg critics57%
Avg audience64%
Avg domestic$73.7M
Domestic
$1.40B
Lifetime
Worldwide
$3.12B
Lifetime
Avg opening
$22.9M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Oz the Great and Powerful | 2013 | $79.1M | $235.0M | 2.97x | $493.0M | B+ | 56% | #10 |
 The Mummy Returns | 2001 | $68.1M | $202.9M | 2.98x | $435.9M | A- | 46% | #6 |
 Black Widow | 2021 | $80.4M | $183.7M | 2.30x | $379.8M | A- | 80% | #4 |
 The Mummy | 1999 | $43.4M | $157.4M | 3.63x | $418.4M | B | 64% | — |
 The Bourne Legacy | 2012 | $38.1M | $113.2M | 2.97x | $280.4M | B | 56% | #29 |
 Constantine | 2005 | $29.8M | $76.0M | 2.55x | $231.0M | B | 46% | #30 |
 Fred Claus | 2007 | $18.5M | $72.0M | 3.89x | $97.8M | B | 20% | #36 |
 Enemy at the Gates | 2001 | $13.8M | $51.4M | 3.72x | $97.0M | B | 53% | #50 |
 Runaway Jury | 2003 | $11.8M | $49.4M | 4.20x | $67.3M | — | 73% | — |
 The Lovely Bones | 2009 | $117K | $44.1M | 2.60x | $94.9M | — | 31% | — |
 About a Boy | 2002 | $8.6M | $41.4M | 4.84x | $131.0M | B+ | 93% | — |
 The Favourite | 2018 | $422K | $34.4M | 13.2x | $95.8M | — | 93% | — |
 The Constant Gardener | 2005 | $8.7M | $33.6M | 3.90x | $86.3M | — | 83% | — |
 Definitely, Maybe | 2008 | $9.8M | $32.2M | 3.30x | $55.6M | — | 71% | — |
 Dream House | 2011 | $8.1M | $21.3M | 2.60x | $41.6M | — | 7% | — |
 Chain Reaction | 1996 | $7.5M | $21.2M | 2.80x | $60.2M | — | 18% | — |
 The Light Between Oceans | 2016 | $4.8M | $12.5M | 2.60x | $22.3M | — | 62% | — |
 The Fountain | 2006 | $3.8M | $10.1M | 2.70x | $15.5M | — | 52% | — |
 The Lobster | 2015 | $50K | $9.2M | 6.30x | $18.0M | — | 87% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.4 years
Profitability
Return on budget
2.3x
$3.05B worldwide on $1.32B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.35BInternational $1.70B
Return by film
Worldwide ÷ budget0x2.5x breakeven7.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#11Biggest March openingsOz the Great and Powerful$79.1M#13Biggest 6th weekendsThe Lovely Bones$17.0M#15Biggest Labor Day openingsThe Constant Gardener$11.0M
3 placings across 3 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.
