Actor
Brad PittFollow
43 films•1991–2026•Drama · Crime · Adventure
Avg critics71%
Avg audience74%
Avg domestic$75.6M
Domestic
$3.25B
Lifetime
Worldwide
$8.58B
Lifetime
Avg opening
$19.8M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 World War Z | 2013 | $66.4M | $202.0M | 3.05x | $540.0M | B+ | 67% | #13 |
 F1 | 2025 | $57.0M | $189.6M | 3.20x | $629.0M | A- | 72% | #14 |
 Mr. & Mrs. Smith | 2005 | $50.3M | $186.0M | 3.70x | $487.0M | B+ | 60% | #10 |
 Ocean's Eleven | 2001 | $38.1M | $183.4M | 4.81x | $450.7M | B+ | 83% | #8 |
 Megamind | 2010 | $46.0M | $148.0M | 3.23x | $322.0M | A- | 73% | #17 |
 Once Upon a Time in Hollywood | 2019 | $41.1M | $142.5M | 3.47x | $377.4M | B | 86% | #20 |
 Troy | 2004 | $46.9M | $133.0M | 2.85x | $497.0M | B | 53% | #13 |
 The Curious Case of Benjamin Button | 2008 | $26.9M | $128.0M | 4.75x | $336.0M | A | 71% | #20 |
 Ocean's Twelve | 2004 | $39.2M | $125.5M | 3.20x | $363.0M | B- | 55% | #14 |
 Inglourious Basterds | 2009 | $38.1M | $121.0M | 3.17x | $321.0M | A- | 89% | #25 |
 Ocean's Thirteen | 2007 | $36.1M | $117.1M | 3.24x | $311.7M | B+ | 70% | #26 |
 The Lost City | 2022 | $30.5M | $105.3M | 3.50x | $191.6M | A | 75% | #17 |
 Interview with the Vampire: The Vampire Chronicles | 1994 | $36.4M | $105.3M | 2.90x | $223.6M | — | 66% | — |
 Bullet Train | 2022 | $30.0M | $103.4M | 3.40x | $238.5M | A- | 85% | #18 |
 Se7en | 1995 | $13.9M | $101.9M | 7.30x | $329.9M | — | 84% | — |
 Fury | 2014 | $23.8M | $85.8M | 3.61x | $210.2M | A- | 76% | #39 |
 Moneyball | 2011 | $19.5M | $75.6M | 3.88x | $111.0M | A | 94% | #46 |
 The Big Short | 2015 | $706K | $70.3M | 6.70x | $132.6M | A- | 88% | #43 |
 The Mexican | 2001 | $20.1M | $66.8M | 3.32x | $148.0M | C | 54% | #36 |
 Legends of the Fall | 1994 | — | $66.5M | — | $161.0M | — | 61% | — |
 Spy Game | 2001 | $21.7M | $62.4M | 2.88x | $143.0M | B+ | 64% | #38 |
 Burn After Reading | 2008 | $19.1M | $60.4M | 3.16x | $164.0M | — | 78% | — |
 Twelve Monkeys | 1995 | $179K | $57.1M | 4.20x | $168.8M | — | 88% | — |
 Sleepers | 1996 | $12.3M | $53.3M | 4.30x | $165.6M | — | 76% | — |
 Ad Astra | 2019 | $19.0M | $50.2M | 2.60x | $135.2M | — | 83% | — |
 Heart of the Beast | 2026 | $20.0M | $50.0M | 2.50x | $131.7M | A- | 87% | #31 |
 Thelma & Louise | 1991 | — | $45.4M | — | $45.6M | — | 87% | — |
 Meet Joe Black | 1998 | $15.0M | $44.6M | 3.00x | $142.9M | — | 48% | — |
 A River Runs Through It | 1992 | $298K | $43.4M | 10.2x | $43.4M | — | 80% | — |
 The Devil's Own | 1997 | $14.3M | $42.9M | 3.00x | $140.9M | B- | 34% | — |
 Allied | 2016 | $12.7M | $40.1M | 3.20x | $119.3M | — | 60% | — |
 Seven Years in Tibet | 1997 | $10.0M | $37.9M | 3.80x | $131.4M | A- | 57% | — |
 Fight Club | 1999 | $11.0M | $37.0M | 3.40x | $100.8M | — | 81% | — |
 Babel | 2006 | $5.6M | $34.3M | 6.17x | $135.0M | B- | 68% | — |
 Snatch | 2000 | $28K | $30.1M | — | $83.6M | — | 74% | — |
 Sinbad: Legend of the Seven Seas | 2003 | $6.9M | $26.5M | 3.90x | $80.8M | — | 44% | — |
 The Counselor | 2013 | $7.8M | $17.0M | 2.20x | $71.0M | — | 34% | — |
 Babylon | 2022 | $3.6M | $16.6M | 4.60x | $64.3M | — | 57% | — |
 Killing Them Softly | 2012 | $6.8M | $14.9M | 2.20x | $39.2M | — | 74% | — |
 The Tree of Life | 2011 | $373K | $13.3M | — | $61.7M | — | 86% | — |
 True Romance | 1993 | $4.0M | $12.3M | 3.10x | $12.6M | — | 93% | — |
 The Assassination of Jesse James by the Coward Robert Ford | 2007 | $148K | $3.9M | — | $15.3M | — | 76% | — |
 Wolfs | 2024 | — | — | — | — | — | 66% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on budget
2.8x
$8.53B worldwide on $3.09B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $3.21BInternational $5.33B
Return by film
Worldwide ÷ budget0x2.5x breakeven11.0x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records2 placings across 2 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.
