Actor
Cate BlanchettFollow
28 films•1998–2025•Drama · Comedy · Action
Avg critics71%
Avg audience69%
Avg domestic$82.2M
Domestic
$2.22B
Lifetime
Worldwide
$5.79B
Lifetime
Avg opening
$23.4M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Indiana Jones and the Kingdom of the Crystal Skull | 2008 | $100.0M | $317.1M | 3.17x | $786.6M | B | 77% | #3 |
 Thor: Ragnarok | 2017 | $122.7M | $315.1M | 2.57x | $850.5M | A | 92% | #8 |
 Cinderella | 2015 | $67.9M | $201.2M | 2.96x | $542.4M | A | 84% | #10 |
 How to Train Your Dragon 2 | 2014 | $49.5M | $177.0M | 3.58x | $614.6M | A | 92% | #17 |
 How to Train Your Dragon: The Hidden World | 2019 | $55.0M | $160.8M | 2.92x | $521.0M | A | 90% | #16 |
 Ocean's 8 | 2018 | $41.6M | $140.2M | 3.37x | $297.7M | B+ | 69% | #24 |
 The Curious Case of Benjamin Button | 2008 | $26.9M | $128.0M | 4.75x | $336.0M | A | 71% | #20 |
 Robin Hood | 2010 | $36.1M | $105.0M | 2.92x | $322.0M | B- | 43% | #26 |
 The Aviator | 2004 | $858K | $103.0M | 11.9x | $214.0M | B+ | 86% | #22 |
 The Talented Mr. Ripley | 1999 | $12.7M | $81.3M | 6.40x | $128.8M | — | 85% | — |
 The Monuments Men | 2014 | $22.0M | $78.0M | 3.54x | $158.7M | B+ | 32% | #44 |
 The House with a Clock in Its Walls | 2018 | $26.6M | $68.5M | 2.58x | $131.5M | B+ | 65% | #46 |
 Bandits | 2001 | $13.1M | $41.5M | 3.20x | $71.5M | — | 64% | — |
 Hanna | 2011 | $12.4M | $40.3M | 3.30x | $65.3M | — | 71% | — |
 Babel | 2006 | $5.6M | $34.3M | 6.17x | $135.0M | B- | 68% | — |
 Blue Jasmine | 2013 | $612K | $33.4M | 8.40x | $102.9M | — | 90% | — |
 Elizabeth | 1998 | $275K | $30.1M | 8.90x | $82.2M | — | 83% | — |
 The Missing | 2003 | $10.8M | $26.9M | 2.50x | $38.3M | — | 58% | — |
 The Life Aquatic with Steve Zissou | 2004 | $113K | $24.0M | 5.30x | $34.8M | — | 57% | — |
 Black Bag | 2025 | $7.6M | $21.5M | 2.80x | $43.9M | B | 96% | — |
 Notes on a Scandal | 2006 | $414K | $17.5M | 6.70x | $50.6M | — | 87% | — |
 Elizabeth: The Golden Age | 2007 | $6.2M | $16.3M | 2.60x | $74.9M | — | 35% | — |
 Borderlands | 2024 | $8.6M | $15.5M | 1.80x | $32.9M | D+ | 10% | — |
 Carol | 2015 | $254K | $12.7M | 8.60x | $41.9M | — | 94% | — |
 The Gift | 2000 | $12K | $12.0M | 3.50x | $44.6M | — | 57% | — |
 Nightmare Alley | 2021 | $2.8M | $11.3M | 4.00x | $39.6M | B | 80% | — |
 Tár | 2022 | $159K | $6.8M | 6.50x | $29.3M | — | 91% | — |
 Don't Look Up | 2021 | — | — | — | $1.2M | — | 56% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 1.0 years
Profitability
Return on budget
2.8x
$5.68B worldwide on $2.02B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.18BInternational $3.50B
Return by film
Worldwide ÷ budget0x2.5x breakeven5.7x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#4Biggest Memorial Day openingsIndiana Jones and the Kingdom of the Crystal Skull$126.9M#10Biggest November openingsThor: Ragnarok$122.7M#13Biggest February openingsHow to Train Your Dragon: The Hidden World$55.0M#14Biggest openings not at #1How to Train Your Dragon 2$49.5M#18Biggest March openingsCinderella$67.9M#19Biggest May openingsIndiana Jones and the Kingdom of the Crystal Skull$100.1M#19Biggest grossers never #1How to Train Your Dragon 2$177.0M
7 placings across 7 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
