Actor & Director
George ClooneyFollow
35 films•7 as director•1996–2024•Drama · Comedy · Crime
Avg critics69%
Avg audience64%
Avg domestic$64.4M
Domestic
$2.25B
Lifetime
Worldwide
$4.85B
Lifetime
Avg opening
$15.2M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Gravity | 2013 | $55.8M | $274.0M | 4.91x | $723.0M | A- | 96% | #6 |
 Ocean's Eleven | 2001 | $38.1M | $183.4M | 4.81x | $450.7M | B+ | 83% | #8 |
 The Perfect Storm | 2000 | $41.3M | $183.0M | 4.42x | $329.0M | B+ | 47% | #6 |
 Ocean's Twelve | 2004 | $39.2M | $125.5M | 3.20x | $363.0M | B- | 55% | #14 |
 Ocean's Thirteen | 2007 | $36.1M | $117.1M | 3.24x | $311.7M | B+ | 70% | #26 |
 Batman & Robin | 1997 | $42.9M | $107.3M | 2.50x | $238.3M | — | 11% | — |
 Tomorrowland | 2015 | $33.0M | $93.4M | 2.83x | $206.6M | B | 50% | #30 |
 Up in the Air | 2009 | $1.2M | $83.8M | 7.40x | $167.0M | B | 90% | #38 |
 The Descendants | 2011 | $1.2M | $82.6M | 11.2x | $177.0M | A- | 88% | #38 |
 The Monuments Men | 2014 | $22.0M | $78.0M | 3.54x | $158.7M | B+ | 32% | #44 |
 Ticket to Paradise | 2022 | $16.5M | $68.3M | 4.10x | $168.6M | A- | 61% | #27 |
 Three Kings | 1999 | $15.8M | $60.7M | 3.80x | $107.8M | — | 94% | — |
 Burn After Reading | 2008 | $19.1M | $60.4M | 3.16x | $164.0M | — | 78% | — |
 The Boys in the Boat | 2023 | $5.7M | $52.6M | 9.23x | $55.5M | A- | 79% | #47 |
 South Park: Bigger, Longer & Uncut | 1999 | $11.3M | $52.0M | 4.60x | $83.1M | — | 81% | — |
 Syriana | 2005 | $11.7M | $50.8M | 4.30x | $92.7M | — | 73% | — |
 Michael Clayton | 2007 | $720K | $49.0M | 4.70x | $93.0M | — | 90% | — |
 One Fine Day | 1996 | $6.2M | $46.2M | 7.40x | — | — | 56% | — |
 O Brother, Where Art Thou? | 2000 | $195K | $45.5M | 12.5x | $75.8M | — | 78% | — |
 The Peacemaker | 1997 | $12.3M | $41.3M | 3.40x | $63.0M | — | 49% | — |
 Money Monster | 2016 | $14.8M | $41.0M | 2.80x | $93.5M | — | 58% | — |
 The Ides of March | 2011 | $10.5M | $41.0M | 3.90x | $77.7M | — | 84% | — |
 Out of Sight | 1998 | $12.0M | $37.6M | 3.10x | $77.6M | — | 94% | — |
 The American | 2010 | $13.2M | $35.6M | 2.70x | $68.0M | — | 64% | — |
 Intolerable Cruelty | 2003 | $12.5M | $35.3M | 2.82x | $121.0M | C+ | 76% | — |
 The Men Who Stare at Goats | 2009 | $12.7M | $32.4M | 2.60x | $67.3M | — | 51% | — |
 Good Night, and Good Luck | 2005 | $421K | $31.5M | 10.3x | $56.6M | — | 93% | — |
 Leatherheads | 2008 | $12.7M | $31.4M | 2.50x | $41.3M | — | 53% | — |
 Hail, Caesar! | 2016 | $11.4M | $30.1M | 2.60x | $64.2M | C- | 86% | — |
 From Dusk Till Dawn | 1996 | $10.2M | $25.7M | 2.50x | $25.7M | — | 65% | — |
 Fantastic Mr. Fox | 2009 | $266K | $21.0M | 3.00x | $45.9M | — | 93% | — |
 Confessions of a Dangerous Mind | 2002 | $87K | $16.0M | 2.70x | $33.0M | — | 80% | — |
 Solaris | 2002 | $6.8M | $15.0M | 2.20x | $30.0M | — | 66% | — |
 Suburbicon | 2017 | $2.8M | $5.8M | 2.00x | $15.5M | — | 27% | — |
 Wolfs | 2024 | — | — | — | — | — | 66% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 0.8 years
Profitability
Return on budget
2.8x
$4.85B worldwide on $1.73B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.21BInternational $2.64B
Return by film
Worldwide ÷ budget0x2.5x breakeven8.8x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#5Best second-weekend holds ($50M+ openers)Gravity−22.6%#6Biggest Labor Day openingsThe American$16.7M#8Biggest October openingsGravity$55.8M#13Best multipliersGravity4.91x
Top 4 of 5 placings across 5 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Series
Counted from this filmography. The number is how many of these films each one accounts for.