

Actor
Geoffrey RushFollow
18 films•1996–2017•Drama · Adventure · Action
Avg critics62%
Avg audience71%
Avg domestic$108.0M
Domestic
$1.94B
Lifetime
Worldwide
$5.90B
Lifetime
Avg opening
$25.6M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
Finding Nemo | 2003 | $70.3M | $380.5M | 4.84x | $936.1M | A+ | 99% | #2 |
Pirates of the Caribbean: At World's End | 2007 | $115.0M | $309.4M | 2.69x | $959.7M | A- | 43% | #4 |
Pirates of the Caribbean: The Curse of the Black Pearl | 2003 | $46.6M | $305.4M | 6.55x | $654.3M | A | 79% | #3 |
Pirates of the Caribbean: On Stranger Tides | 2011 | $90.2M | $241.1M | 2.67x | $1.05B | B+ | 32% | #5 |
Pirates of the Caribbean: Dead Men Tell No Tales | 2017 | $63.0M | $172.6M | 2.74x | $794.9M | A- | 38% | #19 |
The King's Speech | 2010 | $9.2M | $135.0M | 14.7x | $411.0M | A+ | 94% | #18 |
Shakespeare in Love | 1998 | $224K | $100.3M | 23.7x | $289.3M | — | 93% | — |
Legend of the Guardians: The Owls of Ga'Hoole | 2010 | $16.1M | $55.7M | 3.46x | $140.0M | A- | 52% | — |
House on Haunted Hill | 1999 | $15.9M | $40.8M | 2.60x | $65.1M | — | 31% | — |
Shine | 1996 | — | $35.8M | — | $36.7M | — | 91% | — |
Intolerable Cruelty | 2003 | $12.5M | $35.3M | 2.82x | $121.0M | C+ | 76% | — |
Gods of Egypt | 2016 | $14.1M | $31.2M | 2.20x | $138.8M | — | 15% | — |
Elizabeth | 1998 | $275K | $30.1M | 8.90x | $82.2M | — | 83% | — |
Frida | 2002 | $206K | $25.9M | 8.90x | $56.1M | — | 77% | — |
The Book Thief | 2013 | $105K | $21.5M | 4.40x | $76.1M | — | 50% | — |
Elizabeth: The Golden Age | 2007 | $6.2M | $16.3M | 2.60x | $74.9M | — | 35% | — |
Quills | 2000 | $249K | $7.1M | 28.3x | $11.7M | — | 75% | — |
The Best Offer | 2014 | $3K | $89K | 5.90x | $0.4M | — | 56% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.2 years
Profitability
Return on budget
4.0x
$5.82B worldwide on $1.46B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.91BInternational $3.90B
Return by film
Worldwide ÷ budget0x2.5x breakeven23.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest 10th weekendsThe King's Speech$11.1M#3Biggest Memorial Day openingsPirates of the Caribbean: At World's End$139.8M#4All-time G domesticFinding Nemo$380.5M#6Biggest original filmsFinding Nemo$380.5M#7Best multipliersFinding Nemo5.42x#10Biggest 10th weekendsShakespeare in Love$7.9M#15Biggest May openingsPirates of the Caribbean: At World's End$114.7M#18Biggest Memorial Day openingsPirates of the Caribbean: Dead Men Tell No Tales$78.5M
Top 8 of 12 placings across 10 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
Week 39 · RecapEndgame Encore wins a $118M weekend with $26M; Resident Evil crosses $100MSeptember 25–27, 2026
Week 31 · RecapBrand New Day takes the all-time record with $360M; The Odyssey holds at $51MJuly 31–August 2, 2026
Week 35 · RecapBrand New Day takes a fifth straight #1; Coyote vs. Acme opens to $15.9M, five times Ketchup’s best ever; The Dog Stars collapsesAugust 28–30, 2026




















