Actor
Tom HardyFollow
19 films•2002–2024•Action · Drama · Crime
Avg critics71%
Avg audience78%
Avg domestic$107.9M
Domestic
$2.05B
Lifetime
Worldwide
$5.66B
Lifetime
Avg opening
$32.0M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Dark Knight Rises | 2012 | $160.9M | $448.1M | 2.78x | $1.08B | A | 87% | #2 |
 Inception | 2010 | $62.8M | $293.0M | 4.66x | $828.0M | B+ | 87% | #6 |
 Venom: Let There Be Carnage | 2021 | $90.1M | $213.6M | 2.40x | $501.5M | B+ | 67% | #3 |
 Venom | 2018 | $80.3M | $213.5M | 2.66x | $856.1M | B+ | 32% | #13 |
 Dunkirk | 2017 | $50.5M | $188.0M | 3.72x | $527.1M | A | 92% | #14 |
 The Revenant | 2015 | $475K | $183.6M | 4.60x | $533.4M | A | 78% | #14 |
 Mad Max: Fury Road | 2015 | $45.4M | $154.4M | 3.40x | $380.5M | A- | 97% | #22 |
 Venom: The Last Dance | 2024 | $51.1M | $139.8M | 2.70x | $474.5M | A- | 37% | #18 |
 This Means War | 2012 | $17.4M | $54.8M | 3.15x | $156.0M | A- | 24% | — |
 Star Trek: Nemesis | 2002 | $18.5M | $43.3M | 2.30x | $67.3M | — | 37% | — |
 Lawless | 2012 | $10.0M | $37.4M | 3.70x | $54.4M | — | 67% | — |
 Tinker Tailor Soldier Spy | 2011 | $311K | $24.1M | 4.40x | $81.4M | — | 84% | — |
 The Bikeriders | 2024 | $9.7M | $21.7M | 2.20x | $36.3M | — | 79% | — |
 Warrior | 2011 | $5.2M | $13.7M | 2.60x | $24.2M | — | 84% | — |
 The Drop | 2014 | $4.1M | $10.7M | 2.60x | $19.1M | — | 88% | — |
 RocknRolla | 2008 | $145K | $5.7M | 3.00x | $27.8M | — | 60% | — |
 Layer Cake | 2004 | $82K | $2.3M | 6.80x | $11.7M | — | 81% | — |
 Locke | 2014 | $81K | $1.4M | 6.30x | $2.2M | — | 91% | — |
 Bronson | 2009 | $11K | $105K | 8.50x | $2.7M | — | 75% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
DomesticInternationalColumn height is worldwide · one film every 1.2 years
Profitability
Return on budget
4.0x
$5.63B worldwide on $1.41B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.03BInternational $3.60B
Return by film
Worldwide ÷ budget0x2.5x breakeven11.7x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#3Biggest October openingsVenom: Let There Be Carnage$90.0M#4Biggest October openingsVenom$80.3M#6Biggest July openingsThe Dark Knight Rises$160.9M#11Biggest Labor Day openingsLawless$12.9M#12Biggest 4th weekendsThe Revenant$31.8M#12Biggest October openingsVenom: The Last Dance$51.0M#12Biggest superhero filmsThe Dark Knight Rises$448.1M#13Biggest original filmsInception$292.6M#17Best multipliersInception4.66x#19Biggest PG-13 openingsThe Dark Knight Rises$160.9M
Top 10 of 15 placings across 13 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
Related news
All analysis
Week 30 · RecapThe Odyssey posts $90M on a 27% hold, best of Nolan's career; $289.4M in 10 days puts $500M in viewJuly 24–26, 2026
Week 29 · RecapThe Odyssey opens to $123.5M — Nolan's biggest debut outside the Dark Knight trilogyJuly 17–19, 2026
Week 32 · RecapBrand New Day’s $145M second weekend is third-biggest ever; Odyssey clears $1.1BAugust 7–9, 2026
