Actor
Julianne MooreFollow
32 films•1992–2023•Drama · Comedy · Thriller
Avg critics64%
Avg audience66%
Avg domestic$69.2M
Domestic
$2.15B
Lifetime
Worldwide
$4.81B
Lifetime
Avg opening
$19.3M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 The Hunger Games: Mockingjay - Part 1 | 2014 | $121.9M | $337.1M | 2.77x | $766.6M | A- | 65% | #2 |
 The Hunger Games: Mockingjay - Part 2 | 2015 | $102.7M | $281.7M | 2.74x | $646.1M | A- | 69% | #8 |
 The Lost World: Jurassic Park | 1997 | $72.1M | $229.1M | 3.18x | $618.6M | B+ | 57% | — |
 The Fugitive | 1993 | $23.8M | $183.9M | 7.70x | $369.0M | — | 96% | — |
 Hannibal | 2001 | $58.0M | $165.0M | 2.80x | $352.0M | C+ | 39% | #12 |
 Kingsman: The Golden Circle | 2017 | $39.0M | $100.2M | 2.57x | $408.8M | B+ | 63% | #33 |
 Non-Stop | 2014 | $28.9M | $91.1M | 3.15x | $222.4M | A- | 61% | #35 |
 The Hand That Rocks the Cradle | 1992 | $7.7M | $88.0M | 11.5x | — | A- | 67% | — |
 Crazy, Stupid, Love. | 2011 | $19.1M | $84.4M | 4.42x | $146.0M | B+ | 80% | #35 |
 Nine Months | 1995 | $12.5M | $69.7M | 5.60x | $138.5M | — | 24% | — |
 The Forgotten | 2004 | $21.0M | $67.1M | 3.19x | $118.0M | B- | 31% | #42 |
 The Hours | 2002 | $339K | $41.7M | 9.00x | $97.0M | — | 79% | — |
 Evolution | 2001 | $13.4M | $38.3M | 2.86x | $98.4M | B | 44% | — |
 Children of Men | 2006 | $501K | $35.6M | 3.50x | $69.8M | — | 92% | — |
 Carrie | 2013 | $16.1M | $35.3M | 2.20x | $82.4M | — | 51% | — |
 Assassins | 1995 | $9.4M | $30.3M | 3.20x | $83.3M | B | 18% | — |
 Boogie Nights | 1997 | $50K | $26.4M | 5.60x | $43.1M | — | 91% | — |
 Don Jon | 2013 | $8.7M | $24.5M | 2.80x | $41.3M | — | 80% | — |
 Benny & Joon | 1993 | $3.3M | $23.2M | 6.10x | — | — | 75% | — |
 Magnolia | 1999 | $194K | $22.5M | 4.00x | $48.4M | — | 82% | — |
 Psycho | 1998 | $10.0M | $21.5M | 2.10x | $37.2M | — | 40% | — |
 The Kids Are All Right | 2010 | $492K | $20.8M | 5.90x | $36.3M | — | 93% | — |
 The Big Lebowski | 1998 | $5.5M | $19.1M | — | $47.8M | — | 79% | — |
 Still Alice | 2014 | $212K | $18.7M | 8.60x | $41.6M | — | 85% | — |
 Next | 2007 | $7.1M | $18.2M | 2.60x | $73.6M | — | 28% | — |
 Spirit Untamed | 2021 | $5.2M | $17.7M | 3.40x | $42.7M | A | 47% | #46 |
 Seventh Son | 2015 | $7.2M | $17.7M | 2.50x | $108.9M | — | 12% | — |
 Far from Heaven | 2002 | $211K | $15.9M | 9.70x | $29.0M | — | 87% | — |
 A Single Man | 2009 | $217K | $9.2M | 10.9x | $28.1M | — | 86% | — |
 Short Cuts | 1993 | — | $6.1M | — | — | — | 95% | — |
 Suburbicon | 2017 | $2.8M | $5.8M | 2.00x | $15.5M | — | 27% | — |
 May December | 2023 | — | — | — | $2.7M | — | 91% | — |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M$750M
DomesticInternationalColumn height is worldwide · one film every 1.0 years
Profitability
Return on budget
3.5x
$4.67B worldwide on $1.34B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $1.96BInternational $2.71B
Return by film
Worldwide ÷ budget0x2.5x breakeven9.1x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#10Biggest February openingsHannibal$58.0M#11Biggest November openingsThe Hunger Games: Mockingjay - Part 1$121.9M#12Biggest horror openingsHannibal$58.0M#12Biggest September openingsKingsman: The Golden Circle$39.0M#13Biggest Memorial Day openingsThe Lost World: Jurassic Park$90.2M#14Biggest November openingsThe Hunger Games: Mockingjay - Part 2$102.7M#17Most weeks at #1The Fugitive6 weeks#19Best second-weekend holds ($20M+ openers)The Fugitive−5.6%
8 placings across 7 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleConnected
Series
Counted from this filmography. The number is how many of these films each one accounts for.
