Actor
Matthew McConaugheyFollow
33 films•1993–2026•Drama · Comedy · Crime
Avg critics58%
Avg audience67%
Avg domestic$64.4M
Domestic
$2.12B
Lifetime
Worldwide
$4.24B
Lifetime
Avg opening
$14.8M
3-day
Filmography
| Film | Year | Opening | Domestic | Legs | Worldwide | CinemaScore | RT | Yearly rank |
|---|---|---|---|---|---|---|---|---|
 Sing | 2016 | $55.9M | $270.4M | 4.83x | $634.4M | A | 71% | #10 |
 Interstellar | 2014 | $47.5M | $204.5M | 4.30x | $642.5M | A- | 73% | #16 |
 Sing 2 | 2021 | $22.0M | $163.0M | 7.40x | $408.0M | A | 72% | #7 |
 The Wolf of Wall Street | 2013 | $18.4M | $117.0M | 6.37x | $392.0M | C | 79% | #27 |
 Magic Mike | 2012 | $39.1M | $114.0M | 2.91x | $167.0M | B | 78% | #28 |
 A Time to Kill | 1996 | $14.8M | $108.8M | 7.30x | $152.3M | — | 66% | — |
 How to Lose a Guy in 10 Days | 2003 | $23.8M | $106.0M | 4.45x | $178.0M | A | 42% | #25 |
 Contact | 1997 | $20.6M | $100.9M | 4.90x | $165.9M | — | 69% | — |
 Failure to Launch | 2006 | $24.4M | $88.7M | 3.63x | $130.0M | A- | 23% | #21 |
 U-571 | 2000 | $19.6M | $77.1M | 3.94x | $128.0M | B+ | 67% | #27 |
 Fool's Gold | 2008 | $21.6M | $70.2M | 3.25x | $109.0M | B- | 11% | #46 |
 Sahara | 2005 | $18.1M | $68.7M | 3.80x | $119.0M | B+ | 37% | #36 |
 The Wedding Planner | 2001 | $13.5M | $60.4M | 4.47x | $94.7M | — | 17% | #39 |
 The Lincoln Lawyer | 2011 | $13.2M | $58.0M | 4.40x | $87.1M | — | 83% | — |
 Ghosts of Girlfriends Past | 2009 | $15.4M | $55.3M | 3.60x | $102.5M | B | 27% | — |
 Amistad | 1997 | $4.6M | $51.5M | 4.90x | $65.5M | A- | 78% | — |
 The Dark Tower | 2017 | $19.2M | $50.7M | 2.60x | $113.5M | B | 16% | — |
 Kubo and the Two Strings | 2016 | $12.6M | $48.0M | 3.80x | $77.5M | — | 0% | — |
 We Are Marshall | 2006 | $6.1M | $43.5M | 7.10x | — | — | 48% | — |
 Reign of Fire | 2002 | $15.6M | $43.1M | 2.75x | $82.2M | — | 42% | — |
 The Gentlemen | 2020 | $11.0M | $36.5M | 3.30x | $115.2M | B+ | 75% | #11 |
 Dallas Buyers Club | 2013 | $261K | $27.3M | 10.2x | $60.6M | — | 92% | — |
 White Boy Rick | 2018 | $8.9M | $24.0M | 2.70x | $25.9M | — | 56% | — |
 Two for the Money | 2005 | $8.7M | $23.0M | 2.60x | $30.5M | — | 22% | — |
 Edtv | 1999 | $8.3M | $22.5M | 2.70x | $35.3M | — | 64% | — |
 Mud | 2012 | $2.2M | $21.6M | 8.50x | $31.6M | — | 97% | — |
 Free State of Jones | 2016 | $7.6M | $20.8M | 2.70x | $23.2M | — | 48% | — |
 Frailty | 2002 | $4.2M | $13.1M | 3.10x | $19.9M | — | 76% | — |
 Bernie | 2012 | $86K | $9.2M | 10.3x | $10.1M | — | 87% | — |
 Serenity | 2019 | $4.4M | $8.5M | 1.90x | $13.0M | — | 21% | — |
 Dazed and Confused | 1993 | $918K | $8.4M | 9.10x | $8.4M | — | 94% | — |
 Gold | 2017 | $3.5M | $7.2M | 2.10x | $12.2M | — | 41% | — |
 The Rivals of Amziah King | 2026 | $1.0M | $2.1M | 2.10x | $2.5M | — | 89% | #111 |
Click any column to sort. Yearly rank is the film’s place on its release year’s domestic chart; a film outside that year’s top 50 shows a dash.
Film by film
0$250M$500M
DomesticInternationalColumn height is worldwide · one film every 1.0 years
Profitability
Return on budget
2.8x
$4.12B worldwide on $1.47B of production budget
Theatrical breakeven point is approx. 2.5x production budget
Domestic vs international split
Domestic $2.02BInternational $2.10B
Return by film
Worldwide ÷ budget0x2.5x breakeven23.9x
Budgets are reported production costs and exclude marketing, so this is a gross-to-budget ratio rather than studio profit. Films with no reported budget, and streaming releases with no real theatrical run, are left out of this section entirely, including from the totals, rather than counted as zero.
Records held
All records#2Biggest grossers never #1Sing$270.4M#3Best second-weekend holds ($20M+ openers)Sing+21.7%#10Biggest grossers never #1Interstellar$204.5M#14Biggest Christmas openingsSing$35.3M#19Biggest openings not at #1Interstellar$47.5M
Top 5 of 6 placings across 5 all-time charts. Where a film places on the same chart in consecutive weekends, only its best placing is shown.
What’s next
Full scheduleNo upcoming movies announced yet.
Connected
Counted from this filmography. The number is how many of these films each one accounts for.
